The Null Device

La Scimmia, Ninetynine, Night Terrors

I went to the Rob Roy tonight to see some bands. First up were La Scimmia, who were a sort of cinematic jazz instrumental thing; perhaps a little similar to Dirty Three. They were followed by Ninetynine, whom it appears most of the people came to see. The crowd got really packed. And the band rocked, playing all new songs and doing a great job of them.

(Aside: I can't remember ever seeing a Ninetynine show that didn't rock. I remember seeing them once many years ago and not paying much attention, other than "hmmm, vibraphones and toy keyboards.. interesting", but that's because I went there to see The Paradise Motel (IMHO, perhaps the greatest Melbourne band ever), and because I didn't really "get" the indie/garage-band/casiopunk aesthetic back then. And/or because their style has evolved a lot since then.)

Then the Night Terrors, whose CD launch this was, came on. A screen was set up behind the stage, and films were projected onto it (one of the first was Un Chien Andalou, and a lot of the audience weren't expecting the eye-slicing scene at the start). Fluorescent lights were placed against the back walls of the stage, and switched on and off during the performance, adding an eerie, backlit effect to the guy playing the theremin. In one word, the performance was electric.

Afterwards, Cameron Ninetynine took on DJing duties and entertained the remaining people with his rather odd record collection. (He seems to have a thing for that Star Wars disco theme piece.)

There are 1 comments on "La Scimmia, Ninetynine, Night Terrors":

Posted by: Graham Sun Aug 4 05:33:55 2002

When in doubt, go with the dada.

Want to say something? Do so here.

Post pseudonymously

Display name:
To prove that you are not a bot, please enter the text in the image into the field below it.

Your Comment:

Please keep comments on topic and to the point. Inappropriate comments may be deleted.

Note that markup is stripped from comments; URLs will be automatically converted into links.