The Null Device
Blissed freaks to autopsy aesthetes
Music/pop-culture guru Simon Reynolds claims
that industrial music (in the original Throbbing Gristle/Cabaret Voltaire sense, not the gothic-teen-angst-techno-metal sense seen today) was
the second flowering of an authentic psychedelia
(authentic as opposed to retro; see also: Dee-Lite, Lenny Kravitz, Sophie Lee and the Freaked-Out Flower Children), and the harsh, Dadaistic aesthetic was in some ways a direct progression from the psychedelic rock and acid happenings of the 1960s.
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