Oh, it is. Now if only someone responsible can be persuaded to release it. Though, given what I've heard about no-one in Australia wanting to release the new EP, I'd say if it comes out officially it may well be on import only.
(Mind you, that's one fewer disincentive to moving to the UK, but I digress.)
I read yr review over at Rocknerd; sicking Autotune onto Laura and company is kind of mean, though in the context it's alright. There's good out-of-tune and bad out-of-tune, I've decided.
True. Tools are only as good as you use them.
Interestingly, the remixer gave up on trying to pitch-correct Cameron's vocals altogether. (Though they only appear in the dub track with lots of delay.)
Also, I believe a lot of the really extreme "vocoder" effects (think Daft Punk and such) are Autotune on a very severe setting. Which shows that it's good for something other than putting the shine onto manufactured pop puppets.
Btw, apparently there was no AutoTune involved in the remixing; all the retuning was done with Celemony Melodyne (which looks like a pretty nifty piece of software).
Sounds interesting. And I like the article title.