"I have been to Africa many times in search of my cultural identity, but it was in the Highlands that I found the cultural roots of black America.
"When I finally met Donald, we sat down and I played him music. It was like a wonderful blind test. First I played him some psalms by white congregations, and then by a black one. He then leapt to his feet and shouted: `That's us!' "When I heard Donald and his congregation sing in Stornoway I was in no doubt there was a connection."
I'm not entirely sure how much credence to give this story (on one hand, it seems a bit like the thing about curry being a mediæval English invention; on the other hand, the arguments look superficially very plausible), though it's certainly intriguing. Though if it's true, it may explain the uncanny popularity of gospel-influenced soul music in northern Britain. (via 1.0)
That and Belle & Sebastian.
Why has no one mentioned the Afro-Celt Sound System? http://www.afrocelts.com/
You beat me to it!
And then there's "swing low sweet chariot" and things like that.
And, err, Belle and Sebastian aren't very funky. At times, jaunty? Absolutely, but imbued with the Mighty Spirit of the Bodacious Funkatron? No.
I thought the Afro-Celts were Irish, not Scottish.
As for B&S, they have some very soul moments. Take _Don't Leave The Light On Baby_, a tune which sounds more at home in Philadelphia circa 1971 than Glasgow circa 2000.
Heh, it would also explain why scottish funk group Average White Band were so good