Boing Boing Gadgets' John Brownlee has an interesting account of
playing a robot in an evangelical Christian school play as a child. An evangelical Christian robot, of course:
The play centered around Colby, a sentient Christian super-computer who — for some reason — had set up a secret neighborhood enclave for the Christian kids in the neighborhood. It was called Colby's Clubhouse, and inside, it was a Jim Jones phantasmagoria, in which a dancing, singing Christian robot led a gaggle of Bible-thumping kids in elaborate dance numbers, pausing only occasionally to recite scriptures. The main dramatic arc of the play concerned the arrival of new kid Eddie in the neighborhood: he cracked wise about Jesus, never read the Gospel, and was dismissive not only of the Colby Gang's impromptu hymnals but openly professed an admiration and affinity for that year's hot R&B supergroup, the New Kids on the Block. Eventually, Eddie is shown the error of his ways through the tireless proselytizing of the Colby Gang... as well as the direct intervention of Colby himself, who bluntly informs Eddie that he's going to hell if he doesn't mend his ways. Eventually, Eddie breaks down, falls to his knees, and welcomes Jesus into his heart as his Lord and Savior. At that point, Eddie is welcomed into the Colby Gang as an honorary member, presented with his very own pastel-colored, self-identifying t-shirt, and takes part in the exiting performance of the play's title song, "God Uses Kids." Curtain and applause.
Of course, in retrospect, the play looks a lot more disturbing:
At the beginning of the play, Eddie moves into a new neighborhood. He's alone, depressed and friendless. Worse, he quickly discovers that none of the kids in the neighborhood like to play video games or watch movies or listen to records or play with action figures or throw the football around — you know, normal kid stuff. All they ever want to do is sing about Jesus. Raised non-secularly, poor Eddie finds himself ostracized from his newfound peers from the very start, and understandably compensates by adapting the defense mechanism of a smart aleck personality. He acts out. He differentiates himself through cynical non-conformity, but is soundly hated for it.
That's all bad enough, right? Poor Eddie. But consider what happens next. Eddie is invited to the neighborhood clubhouse. Hoping for the acceptance and friendship of the neighborhood's unseen but popular alpha dog — the mysterious but charismatic Colby — he goes, but instead of meeting another kid, the door is locked behind him and a giant metal monster lumbers out of the shadows. Its eyes spit sparks; its servos gnash like rusty teeth. It grabs Eddie by the arms and in a shrill falsetto scream that reverberates with metallic soullessness and the sounds of gears grinding, it inexorably begins to paint Eddie a picture of hell straight out of Bosch. Mewling, fleshless bird things with scissors for beaks. Oceans of boiling feces in which billions bob and drown. Bodies crawling with insects and scabs that never heal. Forced sodomy by impossible geometric shapes. The sound of infants screaming forever and ever and ever and ever. Eddie's mind breaks... as, in fact, had the mind of each and every member of the Colby Gang's under the same nightmarish duress. It is the initiation. He's been accepted. One of us. One of us.
And then, of course, there is the theological question of whether an evangelical Christian robot would have a soul, which John's teacher couldn't quite satisfactorily answer.
"Colby's Clubhouse" is also a TV show:
http://en.wikipedia.org/wiki/Colby%27s_Clubhouse