The Null Device

A Yale professor of music claims that African-American gospel music emerged from Scottish traditions, rather than African ones. Professor Willie Ruff, a renowned jazz musician, claims that the style of religious song that grew in black gospel churches in the American south owes more to Presbyterian traditions brought to the South by emigres from Scottish island communities (who worked as overseers on plantations) than the traditions brought from Africa by slaves.

"I have been to Africa many times in search of my cultural identity, but it was in the Highlands that I found the cultural roots of black America.

"When I finally met Donald, we sat down and I played him music. It was like a wonderful blind test. First I played him some psalms by white congregations, and then by a black one. He then leapt to his feet and shouted: `That's us!' "When I heard Donald and his congregation sing in Stornoway I was in no doubt there was a connection."

I'm not entirely sure how much credence to give this story (on one hand, it seems a bit like the thing about curry being a mediæval English invention; on the other hand, the arguments look superficially very plausible), though it's certainly intriguing. Though if it's true, it may explain the uncanny popularity of gospel-influenced soul music in northern Britain. (via 1.0)

¶ blackness gospel music hebrides scotland secret history whiteness 8