The Null Device
On occasion of a Women In Rock mini-festival on Melbourne radio station 3CR, Mess+Noise got Ninetynine's Laura Macfarlane and the members of the all-female rock trio Dead River to interview each other:
Laura: Overall I think things with gender equality in music have improved slightly but it still needs more work. There could be more female presence in the technical side of music. For instance there aren’t many female masterers still. It also varies a lot between countries. Ninetynine has played in countries and cities where being a female musician is still a novelty. Those shows always stick out in my memory because usually one female person in the audience will come up and tell you that they really appreciate seeing female musicians. Maybe they were thinking of starting their own band, but hadn’t seen a live band with women in it. It is always special to feel like maybe you have helped encourage other women in some small way.
Laura: Although Ninetynine does not exclusively reference Get Smart, we do like a lot of things people relate to the name, including agent 99. She’s great. We also wanted to use a number as a band name because it can work well in countries where people don’t speak a lot of English. I think the The Shaggs would be my favourite ’60s girl group.
Dead River: Despite plenty of evidence that women are capable and creative masters of their instruments and gear (PJ Harvey, Savages, Kim Gordon, to name a few), there are prevailing paternalistic attitudes that continue to undermine women in music. I’m sure many female musicians can relate to the experience of a male mixer walking on stage and adjusting her amp or telling her how to set her levels. Or being asked if you’re the ”merch girl” or “where’s your acoustic guitar?” after you’ve just lugged an entire drum kit or Orange stack through the door.Meanwhile, the members of Ninetynine have recorded a song to raise funds for protests against the East-West road tunnel, under the name “Tunnel Vision Song Contest”. It sounds like Ninetynine at their most Sonic Youth-influenced, though is a bit light on the Casiotone and chromatic percussion.