The Null Device
Today's big question: does country music increase suicide rates? The authors of this paper think that it does, and that country music fans are at significantly higher risk of suicide than nonfans, for reasons involving gun ownership, marital discord and the inherent job and financial stresses affecting America's working poor (which are often referred to in country song lyrics). The authors of this paper, however, dispute this, claiming methodological errors and that there is no evidence of country music making people more likely to off themselves than any other genre. (Whether music in general, or music with lyrics more specifically, correlates to depression or suicide risk, of course, is another question.)
Veteran music critic Everett True has a column in Something Awful (that was one of those troll/griefer forums before /b/ took over that market, leaving only the respectable trade in content), in which he plays the Grumpy Old Man and calls bullshit on the more-special-than-thou stylistic posturing of privileged white college kids, from the point of view that only a cranky old guy can have. In the first one, he demolishes Animal Collective:
None of us like to be associated with those chicks with their tits hanging halfway out of their bra-straps, teetering down the Valley on four-inch white high heels. So we can't be caught liking what they listen to (probably Lady Gaga or Britney). None of us want to be seen hanging with the lads who think it's a laugh-riot to see how far a wall can splatter blood. So fuck their taste (probably Chili Peppers or Nirvana). Your parents, they're old. They like songs that have melodies and structures and stuff (probably Weezer or Blondie or Beck). Crap, how '90s. Secretly, in your heart of hearts, you want to keep listening to Radiohead's OK Computer but you know that your beard-growing college chums would despise you if they knew, even though they all feel exactly the same. Really, all you want to do is have a few brews and chill out, and not have anybody freak you out with loud noises.
Someone once wrote to me that "A fellow I know once stated that the Animal Collective are at the apex of what he termed the 'skipping-CD Beach Boys meets the Lion King soundtrack' age. Recently he informed me that era was finished, and the 'record your girl-group songs in Pro-Tools then add distortion to make them lo-fi' epoch was now upon us."And here, he tears apart the entire NPR Top 20 of 2010 for its lily-white beards-and-sweaters indie homogeneity:
1. Gorillaz: Plastic Beach. My son listens to Gorillaz. He has a good time listening to Gorillaz. He likes to shoot a few dance moves, talk about what the cartoon characters get up to, and make the scary chuckling noise when we least expect it. My son is five years old. I'm not saying you should be embarrassed of sharing your taste with him - he also loves The Specials, Mary Poppins and Ben 10 - and I'm not saying that Gorillaz haven't uncovered a brand-new 'mature' (i.e. downbeat) sound on their new album, but just when were you thinking of growing up?
14. Flying Lotus: Cosmogramma: Ah, the obligatory non-indie record in the Top 20 - so NPR's listeners are open-minded after all. Oh, no, wait, that's not Thom Yorke I see lolloping over the horizon, eager to add his unshaven whine to the squiggly electro beats? Oh fucking fuck, it is.The exact proportions in the abovementioned writings of righteous, insightful debunking of stale bourgeois convention, cheap shots at straw men, and grumpy-old-man kvetching about how music these days is all shit, unlike back in the good old days, is left as an exercise to the reader.