The Null Device
I just realised that this Thursday night, Jen Turrell is playing at the Empress (on tour from the US for the last time for a few years, most probably), at the same time that Ninetynine are playing at the Tote. It's things like this that make me wish I could be in two places at once.
The Mod scene is big in Japan, with many young Japanese donning Union Jack-emblazoned army parkas and tightly tailored suits and cruising around on chromed Lambretta scooters, like extras from Quadrophenia. (via rotten.com)
Hoizumi counts at least three Mod revivals: The Neo-Mod movement inspired by ``Quadrophenia'' (and which eventually led to the Skins); an early 1980s resurgence built around the British group Style Council (the Japanese Mod scene remains a huge milkcow for Paul Weller); and a unique-to-Japan revival in the mid-1990s created by teenage photoceleb Hiromix, whose snapshots of herself and her friends in undies became an international artworld sensation.
But in some ways, whilst the scene is a knockoff of 1960s British youth culture (and also of subsequent "revivals" of Mod)
. Until recently, Japan's Mods have overwhelmingly come from the ranks of hairstylists, overworked, underpaid and image-conscious, who leave the suburbs and countryside with big city dreams of grooming stars and cutting it as ``charisma stylists.'' ... But the stylists have moved on with the Hiromix boom, and the Mods of 2002 are a cadre of college art students, graphic designers and apparel professionals. Many have had their parents buy their first bikes for them, and quite a few own several bikes. They seem more sure of themselves and aren't as interested in making a class statement as an aesthetic one.
Sounds a bit like Melbourne's Mod scene, which is mostly rich private-school kids using their classicist style of youth rebellion to differentiate themselves from the plebeian rabble north of the Yarra. I.e., like the Young Liberals only noisier and more stylish.