2008/5/7
The head of the San Diego branch of the Republican Party has been revealed to be none other than the founder of videogame cracking ring Fairlight, who were responsible for a large proportion of the pirated Commodore 64 games in circulation. Tony Krvaric, was born in Sweden of Croatian parents but emigrated to the US in 1992 to escape the stifling constraints of social democracy, co-founded Fairlight in 1987, going by the handle "Strider". Even back then, Krvaric was known for his right-wing politics, and included the motto "Kill a commie for Mommy" in bragging screens on cracked titles he released.
(via MeFi) ¶ [no comments]
2008/5/6
This weekend, your humble correspondent went to the Cans Festival, a huge stencil art exhibition in a tunnel under the former Eurostar platforms of Waterloo Station. The festival organisers took the entire road tunnel and transformed it into a gallery, with artists from all over the world painting pieces (most involving stencilling, though a few being paste-ups) along its length. The most publicised name attached to the exhibition was, of course, Banksy, and he had a number of works there; as well as some stencils, he was responsible for a sitting-room installation with derelict sofas and an old piano made available to the public and a number of "remixed" classical statues. Though there were several dozen more artists, and indeed, anyone could come along, register and add their artwork to the exhibition. (On Saturday evening, a section of the passageway was sealed off from the general public and made available only to registered artists, who were busily adorning it with stencils.)
Anyway, here are a few photos; the entire set is here:
2008/5/4
I wasn't paying much attention to the Grand Theft Auto IV release hype, having never played any of the previous titles in the franchise and not being interested in the thuglife simulator genre of games, what with not being an adolescent boy and all that. However, this article is making me intrigued:
I finally escaped by ducking into a subway station, and while catching my breath, I decided to explore a bit. That's when I stumbled upon a lovely piece of artwork: A huge mosaic of a subway train on the second level. It looked precisely like the mosaics you see in the New York City subway, except even more ambitious and gorgeous. And I was thinking, "Man, who put this thing here? Who thinks of this stuff?"
Well, Rockstar Games did. The Rockstar developers are utterly in love with the idea of the American city: the riot of decay and grandeur, the garish commercialism, the violence and beauty, the architectural delights hidden in every corner. With GTA IV, Rockstar has produced an ode to urban life. Which is to say, they're not really giving you a game to play with -- they're giving you a city.
The attention to street-culture detail is obsessive, practically Sistine. Each street corner is a piece of randomly generated theater: Primly dressed art students wander around with portfolio cases, homeless crack addicts mutter to themselves as they brush past hipster dudes toting Starbuckian sleeves of coffee. Like all the in-game voice acting, the ambient dialogue is both superbly acted and super weird. ("I forgot to tell you, I need more socks. They are all fucked!" brayed a Russian émigré into his mobile phone as I wandered by.)
The game isn't a celebration of gangster life. GTA never was; for all their bad-boy reputation, Rockstar's designers are adept satirists of American excess. Indeed, they pretty much share Charles Dickens' moral view, wherein those in the big city who gain power are inevitably corrupted by it. (I nearly drove off the road several times while shaking with laughter at the parodies of right-wing talk radio -- complete with incoherent, anti-immigrant nativists, slavishly pro-government commentators on the Weasel News network and ads for "baby buying" services.)
Microsoft has abandoned its attempt to buy Yahoo!, having failed to reach an acceptable price and decided against a hostile takeover (which would have involved the legal equivalent of house-to-house combat and probably ended up with most of Yahoo's best people leaving for Google or someone). Across the world, millions of Flickr and del.icio.us users (particularly those who don't use Windows) breathe a little more easily.
Of course, it's not necessarily over; Yahoo's share price will almost certainly slump in the short term, and if their attempts to turn their business around don't bear fruit, Microsoft could come back a few months later and pick them up for less. Unless, of course, they buy AOL instead.
2008/5/3
Boris Johnson, Tory joke candidate, has just won the London mayoral election by some 140,000 votes. As of now, Londoners have forfeited the right to make smug remarks about Americans having voted for Bush.
Johnson didn't have any positive policies (other than the bizarre magic-Routemaster promise, which can be translated as either "let's divert a few million pounds from boring things like housing and education into designing a cool-looking retro bus" or "let's play a game: you pretend you're an idiot and I'll entertain you"), but got elected on (a) his raffish, loveable-buffoon image, and (b) dog-whistles to reactionary resentment (too hard/expensive to drive into London, too many unruly coloured youths/scary Muslims, "It's political correctness gone mad!"). In fact, he had expert coaching in the art of dog-whistle politics, having been managed by Lynton Crosby, who helped keep a right-wing government in power in Australia for 11 years, tapping into much the same reactionary sentiments and unspoken but popularly accepted bigotries.
It's overwhelmingly likely that the next four or so years won't be an era of innovative initiatives in London. Don't expect things like the Paris bicycle hire scheme, bold new green initiatives, pioneering public transport policy (something Ken Livingstone was actually really good at) or forward-looking visions for a metropolis at the centre of global culture. We can almost certainly expect the congestion charge to be abolished or "rationalised" to the point where nobody has to actually pay it (except perhaps for those pesky cyclists who get in everyone's way), and the axe to fall on Ken Livingstone's public-transport expansion programmes (you can forget about the city tram or the East London Overground reaching Clapham Junction), and quite possibly on Transport For London itself, abolishing this Inefficient Socialist Bureaucracy and flogging off individual tube lines to bus companies. The daily commute won't get any less slow or cramped, though at least those who own cars will have the option to drive. Also, if Crosby's previous client is anything to go by, expect the ugly politics of division and the "culture war" to come out, to see Johnson publicly beating up on cosmopolitan elites and "un-British" foreigners, to mass applause from the Daily Mail readers who voted for him. Certainly, Ken's celebrations of multiculturalism will be replaced by fields of Union Jacks, with Land Of Hope And Glory blaring through the tannoy. But the good side is that it'll be really easy to find parking at the Olympics.
The gist of this is that it now looks like, over the next few years, London will become an even less attractive place to live, even more paranoid and mean and self-absorbed, a backward-looking place whose glories are all in the past, with Boris Johnson's rhetorical Routemasters. And in four years' time, Londoners will look over their dirty, traffic-choked city and Ken Livingstone's reign will look like a golden age in comparison.
2008/5/1
Campaigners from the Greek island of Lesbos are suing a Greek gay group to prevent them from using the word "lesbian" in their name, claiming that the use of the word "Lesbian" to refer to a sexual orientation has made things awkward for them:
In court papers, the plaintiffs allege that the Greek government is so embarrassed by the term Lesbian that it has been forced to rename the island after its capital, Mytilini.If they succeed, they plan to take the fight across the world to claim the word "Lesbian" back. Of which, of course, they stand about as much chance as Xerox and Band-Aid have of reclaiming their trademarks from generic use, hackers have of claiming the word "hacker" back from those who break into computers, or (your favourite music genre) has of dissociating itself from (watered-down commercial variant thereof).
Recently, Australia's recording industry body released a video, made for schools, in which various popular musicians (from industry stalwarts to the hottest commercial-indie bands today) talking about how file sharing is hurting them. Now one of the particupants—Lindsay McDougall, the guitarist from JJJ alternative band Frenzal Rhomb—has issued a statement that he was misled into appearing in the video, and doesn't actually disapprove of file sharing:
He said he was told the 10-minute film, which is being distributed for free to all high schools in Australia, was about trying to survive as an Australian musician and no one mentioned the video would be used as part of an anti-piracy campaign.
McDougall said: "I have never come out against internet piracy and illegal downloading and I wouldn't do that - I would never put my name to something that is against downloading and is against piracy and stuff, it's something that I believe is a personal thing from artist to artist."
"I would never be part of this big record industry funded campaign to crush illegal downloads, I'm not like [Metallica drummer] Lars Ulrich. I think it's bullshit, I think it's record companies crying poor and I don't agree with it."
"I'm from a punk rock band, it's all about getting your music out any way you can - you don't make money from the record, the record companies make the money from the record. If they can't make money these days because they haven't come onside with the way the world is going, it's their own problem."Other artists were unable to be contacted for comment.
Today, Britain will go to the polls to elect local councils. In London, this als o involves an election for the Mayor of London, a powerful executive post with powers encompassing the entire city, which has been held since its inception by Ken Livingstone.
The election will involve a limited form of preferential voting, in which voters get two preferences; in essence, one's ideal candidate, and whom one regards as the lesser evil. (You can vote otherwise, of course; you could put down your two favourite fringe parties, in order of preference, but then once they had been eliminated, your vote would not have any input into the race between the two major-party candidates who are all but guaranteed to square off for the title.)
The two major candidates are, of course, Ken Livingstone in the Labour corner and, in the Tory corner, Boris Johnson, the outrageously outspoken party clown of the Conservative Party. Johnson is best known for his gaffes (such as talking about black areas as being full of "piccaninnies with watermelon smiles" and asking New Guineans whether they have stopped eating each other yet), though has been uncharacteristically restrained in recent months—some say by his campaign manager, none other than Lynton Crosbie, the Australian Karl Rove who kept John Howard's conservative government in power for 11 years and has since become a sort of soldier of fortune to rightwingers seeking office across the English-speaking world. Or, perhaps, by medication; for the most part, his policy pronouncements have been rather vague and not demonstrated much of a grasp on how exactly he intends to manage London (except for hinting that there'll be less management going on, and more power devolved).
Whom would I vote for? Well, naturally, Boris Johnson—if the election was for the post of Mascot of London, that is. His loveable-buffoon act is considerably more entertaining than anything Ken Livingstone has been able to come up with, and since no more suitable candidates (such as, say, a professional wrestler or Leoncie) are running, he'd be the best person for that job. However, since the election is not about choosing whom you'd most like to have a drink with at the pub but whom you'd want managing the metropolis of London, electing Johnson would be at best dismal, and quite probably disastrous.
Johnson has not revealed much of what he would actually do in office. He has issued a few policy ideas, all of which were very sketchy. There was his plan to replace the (much-maligned) bendy buses with something called "21st-century Routemasters", which nobody has actually seen, though we are supposed to believe that Boris will somehow conjure them up once he takes office; the proposal could scarcely sound less reassuring if we were promised flying Routemasters fuelled by pixie dust. (If—if—one were to take Johnson's word at face value, this would presumably involve allocating a big chunk of London council tax revenue to researching and developing a new retro-styled bus; which would be a jolly good boy's-own adventure, though hardly the most efficient use for tens of millions of taxpayers' pounds.) Other policies are either hopelessly ill-costed (such as the commitment to putting attendants on buses, whose costing turned out to be off by an order of magnitude) or else amount to little more than vague motherhood statements, promises to do something about crime or give power back to the people. If you squint hard enough, and hate the thought of Ken Livingstone getting back in enough, you can almost convince yourself that there is something there to vote for. Though you'd really need to believe that anything would be better than Livingstone.
Chances are what would happen if Johnson got in is that he'd pose for a few photo opportunities, pass a few populist pieces of legislation, play a bit with the giant model train set he has won and then, like Toad of Toad Hall, get bored of it and go off to pursue the next distraction. He already would be dividing his time with a seat in Parliament if he got in, so London couldn't expect more than half of his time. Of course, he would remain Mayor of London, but the real decisions would be made by the men behind the curtain, i.e., various nameless apparatchiks.
What these would be we can only guess at. While Johnson hasn't spoken about abolishing the successful Congestion Charge (a policy left publicly to the extreme right—the isolationist UKIP and the neo-fascist BNP—one of whose candidates is also on record as saying that rape cannot be an ordeal because women enjoy sex), he has hinted at rationalising it. It's quite likely that the rationalisation could involve filling it with the sorts of loopholes one could literally drive a SUV through. The recurring theme of "power to the people" could indicate dismantling a lot of the powers of the Mayor of London's office, the breaking up and privatisation of Transport for London, and could mean the end for projects such as Crossrail or the ongoing renewals of the Tube. As for cultural diversity, while Johnson (whom Crosbie has undoubtedly coached well in the art of dog-whistle politics) hasn't outspokenly condemned multiculturalism or championed a Daily Mail-approved brand of John Bull Englishness, he has in interviews said that the best thing about London's diversity was that one could find mangetout in the supermarket. That may or may not mean anything, but it doesn't sound promising. And let's remember that Lynton Crosbie's previous client also seemed like an affable moderate until he was safely in office and the gloves came off in a vicious, dirty culture war.
So yes, I'll be putting Ken Livingstone second. I'm still not sure whom I'll be putting first (I'm leaning towards either Siân Berry or Brian Paddick), though it won't be BoJo the Clown.
It has emerged that children in Britain are posing as paedophiles online to intimidate each other.
Officers have warned parents and children to be vigilant after as many as nine youngsters in Padstow, Cornwall, were targeted through the networking sites Bebo and MSN. Police initially believed a local man was trying to groom the children by befriending them online and arranging to meet them. But a member of the public has come forward and told them that youngsters are trying to settle playground disputes by posing as a paedophile to frighten their rivals.
A spokesman for Devon and Cornwall police said: "Information from the public has highlighted a possibility that the offenders could be children aged 10 and over, masquerading as a paedophile. The investigations are continuing and at this moment we are looking into every line of inquiry and are not ruling out any possibility. However, the language used on the social networking sites such as Bebo and MSN is at times childish. It could be youngsters playing a sick game to try and intimidate friends they have fallen out with. This will be treated seriously and we will be contacting the families of the children involved and we will try and help them by involving social services."Granted, a lot of this is the inevitable modern variant of kids trying to scare each other with imaginary serial killers/monsters/urban myths, updated for the age of paedoterror, though it wouldn't surprise me if, in these jumpy times, some 12-year-old ended up on the sex offenders' register after pulling such a stunt.
(via Boing Boing) ¶ [no comments]
2008/4/30
7 Confessions of an Apple Mac Specialist:
7. iPods have two fixes. Resetting and Restoring.
If both of those features do not work, your iPod is trash. Unless it's under warranty or you purchased AppleCare, then they will give you two options. First is to trade in your iPod for 10% off any model (except shuffle), or they will give you out of warranty replacement, Which usually means that you will pay around $100-$250 depending on the model you purchased.
6. We have 4 things that we will try to sell you when you purchase a computer.
AppleCare, of course, is your extended 3 year warranty, we are told to sell it as a service plan, but it does not do ANYTHING extra, but extend your warranty, and does not cover anything extra. .Mac is a ripoff unless you use the web site hosting. ProCare has to be the biggest ripoff. All this does is upgrade your AppleCare for one year. It has a little perk for business uses, but otherwise useless. Lastly, One-to-One training, which is the best deal in the store.
(via Boing Boing Gadgets) ¶ [1 comment]
The International Herald Tribune has an interesting summary of the impact of 1968's upheaval on France, its society and politics:
May 1968 was a watershed in French life, a holy moment of liberation for many, when youth coalesced, the workers listened and the semi-royal French government of President Charles de Gaulle took fright. But for others, like the current president, Nicolas Sarkozy, only 13 years old at the time, May '68 represents anarchy and moral relativism, a destruction of social and patriotic values that, he has said in harsh terms, "must be liquidated."
French society in May 1968 "was completely blocked," Geismar said. A conservative recreation of pre-World War II society, it had been shaken by the Algerian war and the baby boom, its schools badly overcrowded.
"As a divorced man, Sarkozy couldn't have been invited to dinner at the Élysée Palace, let alone be elected president of France," Geismar said. Both the vivid personal life and political success of Sarkozy, who has foreign and Jewish roots, "are unimaginable without 1968," he said. "The neo-conservatives are unimaginable without '68."
André Glucksmann (former Maoist student), who still supports Sarkozy as the best chance to modernize "the gilded museum of France" and reduce the power of "the sacralized state," is amused by Sarkozy's fierce campaign attack on May 1968. "Sarkozy is the first post-'68 president," Glucksmann said. "To liquidate '68 is to liquidate himself."
2008/4/29
The Rudd government wants to overhaul Australia's image abroad, ditching the traditional images of bronzed Aussies drinking beer on beaches and cheesy strine colloquialisms like "where the bloody hell are you?", so favoured by the traditionalist former government, in favour of a new campaign promoting Australia as "a mature, creative, innovative society". (Those drawing parallels between Rudd and the early days of the Blair government in Britain will see echoes of Blair's "Cool Britannia" here.) Anyway, a number of ad agencies and magazines have had a go at coming up with ideas:
The Sydney Magazine approached a few advertising companies for inspiration. One of them came up with the slogan "Sydney. Proudly UnAustralian".. It features that great staple of Australian tourist brochures, the Sydney Opera House, but with a twist - it's white-tiled roof is emblazoned with the words "NO WAR" in bright red paint. Another image features two butch rugby players locked in a passionate embrace.
"Sydney, it's a bit like London. Classic Museums, Rich History, Hyde Park, Paddington, the Queen on Our Coin. It's just lacking the miserable weather, miserable people, pasty faces, snobby bitches, soggy chips, warm beer, cold winters, teens pushing prams, lager louts, slappers, geezers, madcow diseases."
The Olympic torch relay, dogged by protests against Chinese government policies across its journey, has finally had a smooth, protest-free run—in North Korea, where it was met by thousands of North Koreans waving flags in perfect unison, with absolutely no sign of protest:
"We express our basic position that while some impure forces have opposed China's hosting of the event and have been disruptive. We believe that constitutes a challenge to the Olympic idea," Pak said.
They do things differently in Australia's rough-and-ready west, it seems. The leader of the West Australian opposition Liberal Party, Troy Buswell, has admitted to having sniffed the chair of a female Party staffer; the incident took place in 2005, in front of other staff members.
Mr Buswell has previously admitted to snapping a Labor staffer's bra as a drunken party trick and has been accused by retiring Liberal MP Katie Hodson-Thomas of making sexist remarks to her.
Deputy Liberal leader Kim Hames was today standing by Mr Buswell, describing him as a "rough diamond with a robust sense of humour".Buswell has said that he will not stand down as Party leader.
(via M+N) ¶ [no comments]
Police in China have found a factory making Free Tibet flags for export to the Tibetan government in exile.
Workers said they thought they were just making colourful flags and did not realise their meaning. But then some of them saw TV images of protesters holding the emblem and they alerted the authorities, according to Hong Kong's Ming Pao newspaper.It seems that even the Tibetan government in exile agrees that when you want something made, you go to China.
Linux filesystem developer Hans Reiser has been found guilty of the first-degree murder of his wife. He is yet to be sentenced, though apparently the death penalty is not being considered.
Two teenage thugs have been sentenced to "life imprisonment" for beating a young woman to death because of her Goth attire. The two will serve a minimum of 18 and 16 years respectively, and could be out in their mid-30s. Meanwhile, violence against goths (or "grungers") is still common in Britain, especially amongst, it would seem, the less intelligent sectors of society:
On the social networking site Bebo, there's a group called grungers-should-die, which sets out its mission statement as follows: "Join this band if u think grungers / goth should die ... tell us some story about u bashing some grungers." On the comment wall, a girl has obliged: "fuckin bashed a grunger the uva day innit."
Coles says the goth community is misunderstood. "What people don't understand is that the goth community is largely a peaceful one, full of intelligent people that have often been shunned by normal society and choose to keep company with other likeminded souls. In 22 years of running clubs I've not seen one fight, or indeed any trouble."
2008/4/28
InformIT has an interview with Donald Knuth; he's skeptical about multicore processors, unit testing and reusable code, doesn't like the idea of eXtreme Programming™, and has more or less conceded that literate programming is unlikely to become mainstream any time soon, whilst still believing that it is a superior way to write code:
In my experience, software created with literate programming has turned out to be significantly better than software developed in more traditional ways. Yet ordinary software is usually okay—I’d give it a grade of C (or maybe C++), but not F; hence, the traditional methods stay with us. Since they’re understood by a vast community of programmers, most people have no big incentive to change, just as I’m not motivated to learn Esperanto even though it might be preferable to English and German and French and Russian (if everybody switched).
Jon Bentley probably hit the nail on the head when he once was asked why literate programming hasn’t taken the whole world by storm. He observed that a small percentage of the world’s population is good at programming, and a small percentage is good at writing; apparently I am asking everybody to be in both subsets.
With the caveat that there’s no reason anybody should care about the opinions of a computer scientist/mathematician like me regarding software development, let me just say that almost everything I’ve ever heard associated with the term "extreme programming" sounds like exactly the wrong way to go...with one exception. The exception is the idea of working in teams and reading each other’s code. That idea is crucial, and it might even mask out all the terrible aspects of extreme programming that alarm me.
(via Wired) ¶ [no comments]
Clay Shirky, author of Here Comes Everybody, posits an interesting theory: that entertainment television, an arguably stupefying medium, arose in the 20th century as a temporary coping mechanism for dealing with a surplus of free time and cognitive capacity, a way for people to harmlessly manage free time they had no traditional uses for. A parallel he quotes was the explosion in consumption of gin (in those days a disreputable, highly intoxicating drink) during the mass migration from the countryside to the cities in Britain:
The transformation from rural to urban life was so sudden, and so wrenching, that the only thing society could do to manage was to drink itself into a stupor for a generation. The stories from that era are amazing-- there were gin pushcarts working their way through the streets of London.
And it wasn't until society woke up from that collective bender that we actually started to get the institutional structures that we associate with the industrial revolution today. Things like public libraries and museums, increasingly broad education for children, elected leaders--a lot of things we like--didn't happen until having all of those people together stopped seeming like a crisis and started seeming like an asset.Television, Shirky argues, fulfils the same role. During the 20th century, a majority of the population found itself with something they didn't have before: free time. Since there was no use for this, it was more of a crisis than an opportunity, and once again, society turned to an intoxicant as a means of control:
If I had to pick the critical technology for the 20th century, the bit of social lubricant without which the wheels would've come off the whole enterprise, I'd say it was the sitcom. Starting with the Second World War a whole series of things happened--rising GDP per capita, rising educational attainment, rising life expectancy and, critically, a rising number of people who were working five-day work weeks. For the first time, society forced onto an enormous number of its citizens the requirement to manage something they had never had to manage before--free time.
And what did we do with that free time? Well, mostly we spent it watching TV.
We did that for decades. We watched I Love Lucy. We watched Gilligan's Island. We watch Malcolm in the Middle. We watch Desperate Housewives. Desperate Housewives essentially functioned as a kind of cognitive heat sink, dissipating thinking that might otherwise have built up and caused society to overheat.Now, Shirky claims, society is figuring out ways to use surplus cognitive capacity more productively than by watching sitcoms. With the internet, people are starting to turn the television off and use their time, if not more productively, more interactively. This can take the form of amateur collective efforts such as Wikipedia or of pasting captions onto photographs of cats or playing multiplayer games. (Granted, in this early stage, even contributions to Wikipedia often are about TV shows, but this will probably pass):
And television watching? Two hundred billion hours, in the U.S. alone, every year. Put another way, now that we have a unit, that's 2,000 Wikipedia projects a year spent watching television. Or put still another way, in the U.S., we spend 100 million hours every weekend, just watching the ads. This is a pretty big surplus. People asking, "Where do they find the time?" when they're looking at things like Wikipedia don't understand how tiny that entire project is, as a carve-out of this asset that's finally being dragged into what Tim calls an architecture of participation.This is not a passing phase, Shirky asserts, but a profound social shift; he cites as an example an anecdote illustrating that young children today are already in a post-television mindset, in which a one-directional consumeristic medium is seen as broken, rather than just as "the way things are and have always been":
I was having dinner with a group of friends about a month ago, and one of them was talking about sitting with his four-year-old daughter watching a DVD. And in the middle of the movie, apropos nothing, she jumps up off the couch and runs around behind the screen. That seems like a cute moment. Maybe she's going back there to see if Dora is really back there or whatever. But that wasn't what she was doing. She started rooting around in the cables. And her dad said, "What you doing?" And she stuck her head out from behind the screen and said, "Looking for the mouse."Will, in a generation or two, our descendents look back on the entire 20th century as an age of stupidity and conformism, sort of like the mythical Leave-it-to-Beaver 1950s writ large? (Assuming, of course, they're not too busy avoiding starvation or fighting over the Earth's remaining oil supplies or something.)
(via Boing Boing) ¶ [1 comment]
2008/4/26
Remember Gracenote, the firm that bought the user-contributed CDDB database and locked it up, locking open-source clients out of it? Well, they've just been bought by Sony. I wonder what this will mean: with Sony BMG being a pillar of the RIAA, will owning a database which receives a notification every time somebody rips a CD be a useful weapon in the War On Copying? And will Apple keep using Gracenote for iTunes now that it's controlled by a rival?
Japan's Wakayama Electric Railway has increased its patronage by appointing a cat as stationmaster of an unmanned railway station. The cat, a 7-year-old tortoiseshell cat named Tama, can be seen wearing a specially made cap in her office inside a former ticket window at Kishi station on the Kishigawa line.
Two other cats have been appointed as "deputy stationmasters", and a human official has been hired to take care of the cats.![]()
(via london-underground) ¶ [no comments]
Could this be the worst security hole ever? The Oklahoma Department of Corrections' sex offender database site allowed users to issue arbitrary SQL queries on their database (which contained the complete details of anyone who has ever been on the wrong side of the law). The "print friendly link" took, as its argument, a SQL query, which it would then execute. Which, of course, means that not only could someone get enough details about anyone in the database to steal their identity, but could quite possibly insert arbitrary data into the government's official sex offender database. You can probably imagine the kinds of fun that someone could have with that.
(via Schneier) ¶ [no comments]
Muslim scientists have called for Mecca time to replace Greenwich Mean Time as the international standard. Other than the religious argument (not likely to sway many non-Muslims) and the postcolonial argument, they contend that unlike other longitudes, Mecca's was "in perfect alignment to magnetic north":
He said the English had imposed GMT on the rest of the world by force when Britain was a big colonial power, and it was about time that changed.
A prominent cleric, Sheikh Youssef al-Qaradawy, said modern science had at last provided evidence that Mecca was the true centre of the Earth; proof, he said, of the greatness of the Muslim "qibla" - the Arabic word for the direction Muslims turn to when they pray.(Youssef al-Qadarawy? Where have I heard that name before?)
The meeting in Qatar is part of a popular trend in some Muslim societies of seeking to find Koranic precedents for modern science.
2008/4/25
The reason that this blog was quiet for the best part of a week was that your humble correspondent was on vacation in San Francisco. A few observations:
- Heathrow Terminal 5 is, now that the bugs appear to be ironed out, quite a decent airport terminal to depart from and arrive at; the architecture is at once striking (particularly in first impressions, when ascending in the lift from the tube) and practical, and there are plenty of amenities. Getting through immigration was very fast (in contrast, the last time I went through one of the last terminals, I spent an hour queueing at passport control).
- Similarly, I had no problems getting into (or out of) the US. My checked-in possessions weren't stolen by corrupt minimum-waged baggage-screening staff, and nor did I at any time feel intimidated. The entry process was much the same as it is in the UK.
- There is WiFi reachable from almost every café or bar in San Francisco proper, and it's invariably free. None of the miserly paywalling that's the norm in flint-hearted London. Also, people carry and use laptops everywhere; even on commuter trains at 10pm when no-one without a death wish would do so in London. The cafés (from countercultural establishments in the Haight to corporate chains with earth-toned seating and all-Kenny-G music policies) are full of laptops, with a definite majority being Apples. I saw more glowing Apple logos in my six days in the Bay Area than in the entire rest of the year.
- The Tenori-On launch in San Francisco was great; Toshio Iwai's talk was much the same as in London last year, though the guest musicians were different; in particular, I Am Robot And Proud's set (featuring Tenori-On and live piano) was very impressive. (Those hoping for a price cut, though, will be disappointed; the US price is $1,200.)
- On Tuesday, I went to Ignite SF, a geek show-and-tell organised by some of the O'Reilly people, at the infamous DNA Lounge. It was quite interesting, with topics varying from web 2.0 stuff (user-generated content, social software anti-patterns, and so on) to the more outré (robots, giant monsters, and the (briefly) user-accessible LED sign at the DNA Lounge that fell prey to trolls). It was rather interesting; like a briefer, more theory-focussed Dorkbot.
I also took some photos, which are being uploaded to my Flickr page, and will be added to this set.
2008/4/19
In the 1990s, Two Russian-born, US-based conceptual artists calling themselves Komar and Melamid created what they intend to be the world's most unlikeable song. The 22-minute opus is assembled from a palette of elements determined (through a poll) to be the least desirable aspects of songs, and includes things like an operatic soprano rapping about cowboys over a tuba-backed bassline and bagpipe breaks, a children's choir singing inane holiday ditties and advertising Wal-Mart, and someone shouts political slogans over elevator music. It is, in its own way, awesome:
The most unwanted music is over 25 minutes long, veers wildly between loud and quiet sections, between fast and slow tempos, and features timbres of extremely high and low pitch, with each dichotomy presented in abrupt transition. The most unwanted orchestra was determined to be large, and features the accordion and bagpipe (which tie at 13% as the most unwanted instrument), banjo, flute, tuba, harp, organ, synthesizer (the only instrument that appears in both the most wanted and most unwanted ensembles). An operatic soprano raps and sings atonal music, advertising jingles, political slogans, and "elevator" music, and a children's choir sings jingles and holiday songs. The most unwanted subjects for lyrics are cowboys and holidays, and the most unwanted listening circumstances are involuntary exposure to commercials and elevator music. Therefore, it can be shown that if there is no covariance—someone who dislikes bagpipes is as likely to hate elevator music as someone who despises the organ, for example—fewer than 200 individuals of the world's total population would enjoy this piece.Komar and Melamid also produced what their research pointed to as America's most wanted song; it's somewhat less interesting, being a schmaltzy assemblage of Kenny G-esque sax, FM electric piano, R&B female vocals and husky male vocals, not to mention the obligatory guitar solo and not one but two truck driver's gear changes. It is, quite literally, a statistical average of early-1990s commercial radio music; if you're morbidly curious, there's a MP3 here. They also did a survey of what the American public liked to see most in paintings, and produced the resulting work of art, an autumnal landscape with wild animals, a family enjoying the outdoors—and, standing in the middle of it, George Washington.
From the artists' own website:
In an age where opinion polls and market research invade almost every aspect of our "democratic/consumer" society (with the notable exception of art), Komar and Melamid's project poses relevant questions that an art-interested public, and society in general often fail to ask: What would art look like if it were to please the greatest number of people? Or conversely: What kind of culture is produced by a society that lives and governs itself by opinion polls?
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