The Null Device

A BBC radio presenter made an unfortunate mispronounciation of the name of the Culture Secretary, Jeremy Hunt, swapping the first consonant of his surname with that of the word 'culture'. The somewhat ironically named James Naughtie fell foul of the Spoonerism on Radio 4's Today programme when interviewing Hunt about the government's broadband plans. Mr. Hunt seemed to take it in good stride:

Mr Hunt tweeted: "They say prepare for anything before going on Today but that took the biscuit. I was laughing as much as u Jim."

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Some good news: the BBC Trust has rejected plans to close 6 Music, the BBC's non-commercially-driven music channel.

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Delivering the Bafta Annual Television Lecture, Stephen Fry laments the infantilisation of British television, including favourites like Doctor Who:

Fry, who hosts QI, said that the programmes were "like a chicken nugget. Every now and again we all like it … But if you are an adult you want something surprising, savoury, sharp, unusual, cosmopolitan, alien, challenging, complex, ambiguous, possibly even slightly disturbing and wrong. "You want to try those things, because that's what being adult means."

Fry said he was not arguing that all television should be pompous, academic or intellectual. "But they ought to surprise and to astonish and to make us feel perhaps the possibility there is a world outside that we know nothing of to provoke us, to provoke in the best sense of the word, sometimes in the worst sense," he said. "To surprise us, to outrage us."

¶ bbc culture dumbing down neoteny stephen fry tv uk 0 Share

Zimbabwean strongman Robert Mugabe's latest outrage against the former British Empire: holding hostage the lost episodes of Doctor Who. Perhaps.

Currently, 108 out of the show's initial 752 episodes are still missing, and according to British newspaper the Sun, some of them may be found in Zimbabwe. The reasoning behind this unexpected announcement comes from two disparate facts. Firstly, the country purchased the first season of Doctor Who for transmission in the mid-60s. Secondly, the BBC have never been able to visit the country to find out exactly what tapes the Zimbabwean broadcasters actually possess, thanks to President Robert Mugabe banning all BBC personnel from entering the country at the beginning of this century. According to British newspaper the Sun, a BBC source explained,

(via MeFi) ¶ bbc doctor who zimbabwe 0 Share

The Times has re-stoked Thatcher-era allegations about "Communists in the BBC", with claims that left-wing scriptwriters wrote anti-Thatcherite propaganda into Doctor Who episodes during the 1980s. (Of course, being a Murdoch paper, they say that like it's a terrible thing...)

“We were a group of politically motivated people and it seemed the right thing to do. At the time Doctor Who used satire to put political messages out there in the way they used to do in places like Czechoslovakia. Our feeling was that Margaret Thatcher was far more terrifying than any monster the Doctor had encountered. Those who wanted to see the messages saw them; others, including one producer, didn’t.”

Under Cartmel’s direction, Thatcher was caricatured as Helen A, the wide-eyed tyrannical ruler of a human colony on the planet Terra Alpha. The extra-terrestrial character, played by Sheila Hancock, outlawed unhappiness and remarked “I like your initiative, your enterprise” as her secret police rounded up dissidents.

(via MeFi) ¶ 1980s bbc doctor who leftwingers politics propaganda thatcherism-blairism 0 Share

Charlie Brooker presents a self-referential analysis of the visual language of TV news segments (or, at least, of BBC news segments; your mileage may vary):

(via Boing Boing) ¶ bbc charlie brooker media self-reference tv 0 Share

What's the difference between the BNP and atheists? The BBC doesn't feel the need to give atheists a forum.

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Two excellent recent BBC4 documentaries about music have shown up on Vimeo, for those not in the UK: Synth Britannia (about the rise of synthpop in Britain in the late 1970s/early 1980s, from early Kraftwerk-influenced acts like OMD, The Human League and Gary Numan to the wave of "fire and ice" duos), and Krautrock: the Rebirth of Germany (which features interviews with a number of German experimental musicians of the 1970s, from bands like Amon Düül II, Faust, Neu! and Can, not to mention Iggy Pop rambling on about asparagus).

(via MeFi) ¶ bbc culture history krautrock music synthpop video 1 Share

The BBC are giving Jarvis Cocker a radio show, on Sunday afternoons on BBC 6 Music, in 2010. Apparently it'll go for two hours and be filled with "dodgy opinion, crackpot theories, hare-brained schemes and beautiful, beautiful music".

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The BBC is making a TV "comedy drama" about the rivalry between the ZX Spectrum and the BBC Micro. Or, more precisely, between their makers. The working title is "Syntax Era", and it will start Martin "Arthur Dent" Freeman as the BBC Micro's creator, Chris Curry.

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To commemorate the upgrade of the West Coast Main Line (that's the one that runs from London to Glasgow via Birmingham), the BBC has posted a time-lapse video of a train journey from London to Glasgow, filmed from the cab of a train and sped up to five minutes.

The upgrade of the line, to allow Virgin Train's Pendolino tilt-trains to actually do the tilting thing, has cut journey times by 30%, making the London to Glasgow journey just four hours and 30 seconds. However, compared to railways on the continent (such as France's TGV system), it is still slow; the maximum speed is 200kmh, or under two thirds of that of what they call a "fast train" across the Channel. Watching the video gives a hint to why this is so and likely to remain so for some time: the track ahead of the train curves hither and yon, still apparently following the path laid down in the 19th century to avoid powerful landowners' concerns and keep gradients low enough for the relatively feeble locomotives of the day. Whilst the aristocracy is not what it used to be, and today's trains have less of a problem with gradients, the West Coast Main Line remains too wavy to be traversed at speed.

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The Times' Giles Coren (who's sort of like a more highbrow Jeremy Clarkson or something) has a terrific rant against the whole notion that, in times of economic hardship, what we need is low-brow escapism:

Escapism is an illusion. Escapism is what has got us into this mess. Buying on credit, from the tiddliest MasterCard lunch you couldn't really afford to billion-dollar leveraged buyouts, is, when you boil it down, just escapism - avoiding any sort of engagement with objective reality and doing something just because it feels good at the time. Like a child might do. Or a monkey.

If you had at least read a bit of Tolstoy, you might have expanded your mind a little. If, instead of watching all those reality shows, you had learnt Japanese, you would be in a better position to remain in work. And if, rather than calling radio phone-ins to say that Len Goodman is a spoilsport, you had learnt the French horn, you would, if nothing else, be able to play your children a bit of Mozart while they sit shivering round the last candle in the house.

I cannot tell you how furious I am with these people who seem to think they should be given back the money they spent on voting for John Sergeant. Anyone to whom a single pound represents a significant, useful quantity of money, and who spent it on a celebrity game show vote, should have his or her assets frozen immediately - under the counter-terrorism laws if need be. Their children should be taken into care. And they should have their credit cards melted and moulded into a stick with which they should be flogged until they bleed.

It was the fat years that made us lazy, dumbed us down, replaced great television with a series of reality shows and killed literature to make room for celebrity whingeing and kiddy books repackaged for adults. It is no coincidence that the publication cycle of Harry Potter, from the first book to the seventh, marked almost exactly the years of economic growth. It is a fat, lazy race that turns its brain off as a prelude to cultural engagement.

¶ bbc consumerism culture curmudgeonry escapism giles coren rants wd2 0 Share

For those in the UK, BBC Radio has a 30-minute programme on single B-sides, their origins and decline, and the way different artists and producers have used the flipside of the single. It's listenable for about three more days, so you'll have to be quick.

(via ithinkihaveacat) ¶ bbc culture music 1 Share

The Times has an interesting article about pieces of music banned by the BBC at various times. There are, of course, the obvious examples (The Sex Pistols' God Save The Queen, Frankie Goes To Hollywood's Relax, John Lennon's Imagine during the Gulf War), but there are also far more bizarre ones, in which the BBC's Reithian paternalist tradition (now, seemingly, relinquished to Blairite market-pleasing) translated into a heavy-handed, stentorian authoritarianism, often quite arbitrarily:

If Celine Dion had been around during the Second World War, she would have been silenced by the Dance Music Committee. One 1942 directive read: “We have recently adopted a policy of excluding sickly sentimentality which, particularly when sung by certain vocalists, can become nauseating and not at all in keeping with what we feel to be the need of the public in this country in the fourth year of war.”

“The head of religious broadcasting was a bit of a tyrant,” Leigh says. “Don Cornell's Hold My Hand, which was a No 1 in 1954, was banned because he didn't think a relationship with a girl could be likened to the ‘Kingdom of Heaven'.

Equally sinful, in the committee's eyes, was having the audacity to reshape a classical tune into something more swinging. One barbarian at the gates was Perry Como: I'm Always Chasing Rainbows was his rendition of Chopin's Fantasie Impromptu in C sharp minor. “This is a bad perversion of a Chopin melody and should be barred,” the BBC snarled, and, even in 1963, they stopped Ken Dodd's cover version from being broadcast.

¶ bbc censorship culture music uk 0 Share

A previously unknown cache of audio recordings made by BBC Radiophonic Workshop composer Delia Derbyshire has come to light. The tapes, recorded in the 1960s, include a sketch for a documentary score, using cut-up fragments of Derbyshire's voice as an oboe-like instrument. Most interesting, though, is a fragment, introduced by Derbyshire as "for interest only", consisting of a few bars of glitchy electronic beats in 5/4 time, with a pad sound. (The fact that all this was made without synthesisers as we know them, but with purpose-built arrangements of circuits, makes it even more impressive.) The fragment sounds like modern IDM; if someone told you it was a Warp release from the 1990s, you'd believe it. The world of the late 1960s, though, wasn't ready for IDM, hence Derbyshire's dismissal of it.

"I find it spell-binding," says Hartnoll. "I've got a shedload of synthesizers and equipment, whereas Delia Derbyshire got out of the Radiophonic Workshop when synthesizers came along. I think she got a bit disheartened and a bit bored with it all when the synthesizer came along and it all became a little too easy."

¶ bbc delia derbyshire electronica history music 1 Share

So that was Eurovision for another year; Russia took home the first prize with a rather ordinary ballad (in English, produced by the famous Russian R&B producer Jim Beanz), followed by Ukraine and Greece, with equally cheesy and uninteresting tracks. The highest of the not-entirely-boring tracks was Azerbaijan's angels-and-devils ballad at #8, followed by Bosnia and Herzegovina's inspiredly surreal piece at #10. Latvia's (Swedish-written, English-speaking) pirates came in at #12, Spain's toy-guitar-wielding mentalist took #16, France's Sebastien Tellier turned #19 (though, to be fair, he didn't seem too comfortable with his new role as chanteur), and Croatia's folk-chanson accordionists and cranky old man were at #21, one step ahead of Finland's heavy-metal berzerkers. Meanwhile, the UK came in last, despite their entry being less piss-takingly laughable than the previous two years'. (In fact, one of the UK's best showings in recent years was Daz Sampson, the middle-aged bloke pretending unconvincingly to be a teenage hip-hop gangsta; figure that one out.)

And Sir Terry Wogan has said he may quit doing the commentary, in protest against the blatantly politicised bloc voting and Eurovision being "no longer a music contest".

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After having had its licence fee increase rebuffed, the BBC is planning to cut 12% of its workforce. Most of the cuts will happen in the factual division, which produces programming such as Planet Earth and stands to lose up to 50% of its budget. The BBC's trashy-populist-entertainment operations, however, look set to emerge unscathed.

One could question the rationale behind this peculiar set of priorities; after all, its Reithian ethos of worthy factual programming is a big part of the high esteem in which the BBC is held across the world. Indeed, one could ask why, for example, EastEnders is any more of a public service, and thus any more worthy of funding from a mandatory tax on television receivers, than its commercial rival Coronation Street, or whether or not something like Top Gear could be provided by the free market with no loss of values. It could be argued that the populist fare fulfils an important function: that of buying social approval for the BBC's license fee. Were the BBC to cut back on it and concentrate on "quality" programming, the majority of license-fee payers might start to question whether they should be obliged to pay over £100 per year for the privilege of skipping the BBC and going straight to Sky One. From then on, it would take a campaign on the front page of The Sun (whose proprietor, it must be remembered, would dearly love to see the BBC reduced to something of the size and stature of the American PBS or Australian ABC; underresourced, timid and marginal) to put the dismemberment of the BBC on the legislative agenda in time for the next licence fee review.

Which is a rather sad state of affairs. Surely the purpose of that unique institution, the license fee, should be to fund quality, enlightening programming in niches which the market, left to its own devices, wouldn't fill, rather than to provide popular mass entertainment (a task which the market has always stepped up to catering to)?

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The Lonely Planet publishing company, best known for its travel guides (as well as random travel-related books and a stock photography library) has been bought — by the BBC, of all people. Well, by BBC Worldwide, which is the BBC's commercial arm (the one which sells BBC content to non-licence-fee-payers outside the UK for profit).

BBC Worldwide international director Ian Watson said there was "absolutely no intention" of introducing advertising into Lonely Planet, which he described as "the most important brand to travellers around the world". "One of the things we very quickly got to talking to with Tony and Maureen was just how closely aligned our editorial values are," he said.

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Blog of the day: Mark Mardell's Euroblog, in which a BBC Europe correspondent writes insightful pieces on news stories concerning the EU, such as the prospect of Belgium splitting in two, the clash between Poland and the EU, and the (receding) prospects of a federal "United States of Europe".

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The BBC's "edgy", yoof-oriented BBC Three channel, has revealed six new drama series due to be screened later this year:

Being Human, from Touchpaper TV and Doctor Who writer Toby Whithouse, follows three co-habiting flatmates. One is a vampire, one is a ghost and the other a werewolf.

Mrs Inbetweeny tells the story of siblings who are brought up by their pre-op transsexual aunt Emma from America.

Phoo Action is a kung fu live action drama set in 2012 London, which is in the grip of mutant criminals. Terry Phoo and Whitey Action - the first a Buddhist cop and the second an anarchist - step in to save the day.

W10 LDN, from Noel Clarke and Kudos, looks at the lives led by a group of young teenagers on a housing estate in West London.

(via James) ¶ bbc culture entertainment tv wtf 4 Share

The BBC News Magazine has posted a very informative article on ways of legitimately gaming Britain's byzantine train fare system to get the best fare. Most of these ways involve finding the right combinations of tickets covering various parts of the journey which, when put together, are cheaper than a complete ticket would be:

These are not "fiddles" but perfectly legitimate savings, because it is the customer's right to ask for any combination of tickets. However, it is also the clerk's duty not to advertise them, should he or she know they exist.

The only rule connected with the use of such a combination (other than the fact the tickets must be valid, of course) is that the train must stop at the place where the tickets join, although you do not have to alight.

You have to leave London for Newcastle on the 0800 train and the open return costs £224. The train calls at Peterborough - and savers to the north from Peterborough are available any train, any day. So book an open return to Peterborough (£68) then a saver from Peterborough to Newcastle (£76.90) - that's £144.90, saving £79.10. Just make sure the train on which you return calls at Peterborough (most do).

So buy a saver return FROM London TO Shotton and throw away the outward half. You are then "returning", resuming your return journey at Chester. That is all legal. The saver return is £59.70, £29.30 less than the full single.

I wonder how hard it would be to create a search engine for automatically finding optimal combinations of tickets.

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A team of six specialists assembled by the BBC has discovered the ten steps to true happiness:

• Plant something and nurture it
• Count your blessings - at least five - at the end of each day
• Take time to talk - have an hour-long conversation with a loved one each week
• Phone a friend whom you have not spoken to for a while and arrange to meet up
• Give yourself a treat every day and take the time to really enjoy it
• Have a good laugh at least once a day
• Get physical - exercise for half an hour three times a week
• Smile at and/or say hello to a stranger at least once each day
• Cut your TV viewing by half
• Spread some kindness - do a good turn for someone every day

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Cult 1970s BBC comedy troupe The Goodies, who recently reissued some of their shows on DVD and did a successful tour of Australia (where, thanks to the ABC's buying of their show, they are a national institution), are now doing a UK tour, starting off with a show at the Edinburgh Festival.

The show is a mixture of reminiscences, clips from the shows, new sketches and their chart hit song, "The Funky Gibbon". Then there are the recordings of Oddie, 65, "who we can switch off at any moment". Among the sketches is one about the Goodies' invention of Ecky-Thump, a Lancastrian martial art, at which a man in Scotland died laughing when it was originally broadcast. "We'll have medics on hand," Brooke-Taylor said.

Both Brooke-Taylor and Garden, 63, admit they are not sure who their audiences will be in Edinburgh, but if it goes well there is a chance of a national tour. Garden seems slightly nervous. "In Australia there was this great fan base. In this country, nobody has seen the show for 25 years," he said. For anyone under 40, features included a rip-off of King Kong with a kitten on the Post Office Tower, and the Goodies' bicycle for three. The show routinely attracted audiences of up to 14 million.

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BBC Radio 4 has a three-part programme titled The Art of Pop, about the influence of the British art school tradition on pop music, and presented by famous St. Martin's graduate Jarvis Cocker. The first part (from Tuesday) may be listened to here.

(via imomus) ¶ art bbc culture jarvis cocker pop 0 Share

This evening, I tuned into BBC News 24. The intro ran, and on came the newsreaders, informing the audience of the big story: the English football team was beaten by Portugal, and was out of the World Cup.

The report played a clip of the goal that ended it all, and the Portuguese player's triumphant expression. Then they crossed to England supporters outside the stadium in Germany, with the reporter asking them how they felt. Not surprisingly, they were disappointed.

Then the report crossed to Lisbon, where fans were partying. The reporter asked a few how they felt; they were elated. This just in: Portuguese football fans celebrate when their team wins.

This went on for 20 minutes, discussing the mechanics of the game, the hopes and dreams of various fans, and so on, after which they briefly crossed to the rest of the day's news. And in other news: 60 people were killed in a bomb blast in Iraq, as sectarian violence threatens to escalate further. Presumably things are also happening in other parts of the world (such as, say, the Gaza Strip and Somalia, to name two recently newsworthy locations), though one can't be sure because there wasn't time to mention them.

Am I the only one who sees something wrong with this?

¶ bbc football lowbrow media news populism 10 Share

The BBC News magazine looks at the question of when spring actually starts:

"You would not regard the first three weeks of June as spring, yet historically summer does not start until 21 June," says a spokesman for the Met Office. "Equally, the bulk of people now regard 1 March as the first day of spring."

Historically spring starts on the day of the vernal equinox, which usually occurs on the night of 20/21 March.

After all, summer is commonly decreed to start on 21 June - the Summer Solstice - yet the following day is known as MID-summer's day.

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BBC Newsnight's Adam Livingstone sets the record straight on paedophiles, terrorists and file sharing:

First though, an apology. File sharing is not theft. It has never been theft. Anyone who says it is theft is wrong and has unthinkingly absorbed too many Recording Industry Association of America press releases. We know that script line was wrong. It was a mistake. We're very, very sorry.

If copyright infringement was theft then I'd be in jail every time I accidentally used football pix on Newsnight without putting "Pictures from Sky Sport" in the top left corner of the screen. And I'm not. So it isn't. So you can stop telling us if you like. We hear you.

The rest of the article goes on about ISPs blocking BitTorrent, other clients using encryption to bypass the blocks, and the resulting increase in encrypted content on the net allowing suspicious encrypted paedoterrorist communications, which would have otherwise drawn the security services' attention, to sink into the encryption soup unnoticed.

(via Boing Boing) ¶ bbc copyfight encryption paedoterrorists security 0 Share

The BBC is running a poll of British design icons. On the current page are 25 candidates; there are the usual design classics (Jan Tschichold's distinctive Penguin paperback covers, red phone boxes, Routemaster buses, the Mini (and the miniskirt!), and Harry Beck's Tube map), and also some more recent entries, including Peter Saville's cover for New Order's Power, Corruption and Lies, Neville Brody's design of The Face magazine, the Dyson vacuum cleaner (what about the Henry?), Lara Croft and Grand Theft Auto. Oh, and the World Wide Web, because the first form of it was developed by an English bloke.

Not to mention a few things I didn't know were British, such as the Chopper bicycle now ironically popular with SugaRAPE-reading hipsters (apparently it's not Californian, just a knockoff of Californian designs) and Microsoft's Verdana typeface (designed by British-born type designer Mathew Carter). In that case, I wonder why they didn't include the iMac or iPod (whose appearance was designed by Englishman Jonathan Ive).

And it's interesting to read that Britain's current system of road signage was (re-)designed in the 1960s. Which probably explains why Australia has entirely different (US-style?) signs.

(via london-underground) ¶ bbc design jan tschichold london underground neville brody new order penguin peter saville road signage routemaster typography uk 2 Share

From a BBC News 24 story last night, about some disturbed individual who was shot by air marshals after claiming to have a bomb:

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More details of Tony Blair's special relationship with another superpower -- namely, Rupert Murdoch's News Corporation -- have emerged. On Thursday, Blair was heard telling Murdoch that their mutual foe the BBC's coverage of Hurricane Katrina was "full of hatred of America and gloating.

"Tony Blair... told me yesterday that he was in Delhi last week and he turned on the BBC World Service to see what was happening in New Orleans, and he said it was just full of hate at America and gloating about our troubles," the chairman and chief executive of News Corporation said.

It must be a different BBC than the one I've seen. Perhaps Blair tuned into the Baghdad Broadcasting Corporation, the al-Zarqawi-boosting, freedom-hating fountain of anti-Western propaganda that only Little Green Footballs readers seem to be able to see?

It's a good thing that the Beeb has won its 10-year charter; otherwise, it would look like Blair and Murdoch were sharpening their knives.

Also in the same report: an extract from the diary of one of his former spin doctors claims that Blair gave News Corp. the power of veto over Britain's European policy. Or, "the things we do to keep The Sun onside".

An entry in a diary kept by Lance Price, who worked for the PM between 1998 and 2000, said: "We have promised News International we won't make any changes to our Europe policy without talking to them."

¶ bbc murdoch thatcherism-blairism tony blair 0 Share