The Null Device

Posts matching tags 'business'

2008/5/4

Microsoft has abandoned its attempt to buy Yahoo!, having failed to reach an acceptable price and decided against a hostile takeover (which would have involved the legal equivalent of house-to-house combat and probably ended up with most of Yahoo's best people leaving for Google or someone). Across the world, millions of Flickr and del.icio.us users (particularly those who don't use Windows) breathe a little more easily.

Of course, it's not necessarily over; Yahoo's share price will almost certainly slump in the short term, and if their attempts to turn their business around don't bear fruit, Microsoft could come back a few months later and pick them up for less. Unless, of course, they buy AOL instead.

business microsoft web win yahoo [no comments]

2008/4/30

7 Confessions of an Apple Mac Specialist:

7. iPods have two fixes. Resetting and Restoring.
If both of those features do not work, your iPod is trash. Unless it's under warranty or you purchased AppleCare, then they will give you two options. First is to trade in your iPod for 10% off any model (except shuffle), or they will give you out of warranty replacement, Which usually means that you will pay around $100-$250 depending on the model you purchased.
6. We have 4 things that we will try to sell you when you purchase a computer.
AppleCare, of course, is your extended 3 year warranty, we are told to sell it as a service plan, but it does not do ANYTHING extra, but extend your warranty, and does not cover anything extra. .Mac is a ripoff unless you use the web site hosting. ProCare has to be the biggest ripoff. All this does is upgrade your AppleCare for one year. It has a little perk for business uses, but otherwise useless. Lastly, One-to-One training, which is the best deal in the store.

(via Boing Boing Gadgets) apple business mac secrets [1 comment]

2008/4/26

Remember Gracenote, the firm that bought the user-contributed CDDB database and locked it up, locking open-source clients out of it? Well, they've just been bought by Sony. I wonder what this will mean: with Sony BMG being a pillar of the RIAA, will owning a database which receives a notification every time somebody rips a CD be a useful weapon in the War On Copying? And will Apple keep using Gracenote for iTunes now that it's controlled by a rival?

business gracenote riaa skulduggery sony [2 comments]

2008/4/10

Yahoo to merge with AOL? Apparently the deal (still being hammered out) would involve Yahoo acquiring AOL and Time Warner acquiring 20% of the combined company in return. If it goes through, it may be good enough to stop Microsoft from absorbing Yahoo, as they have been making increasingly menacing noises about. Which means that we may be able to access Flickr with non-IE browsers for a while longer.

aol business microsoft yahoo [no comments]

2008/1/31

Australian independent music zine and website Mess+Noise has been acquired by Destra, an online content company:

This acquisition extends destra’s capacity to deliver credible and compelling content and create advertising opportunities on a multi-platform basis around targeted, online communities, particularly in the X & Y demographic.
Mess+Noise will be promoted across destra’s digital and physical publishing and broadcasting platforms, enabling collaboration with destra’s other music communities such as http://www.threedworld.com.au, www.centralstation.com.au and www.mp3.com.au.
In other words, we can probably expect it to turn into a sort of JJJ of the web, with the unprofitable articles about small independent bands being replaced by PR pieces about commercial alternative-rock acts, and the forums being swamped by bogans.

Here is long-time contributor Emmy Hennings' eulogy for the site, and here is the discussion thread.

acquisitions australia business commercialism culture doomed indie mess+noise [no comments]

2008/1/28

A year or so ago, Sony's egregiously misnamed Universal Media Disc format (a prooprietary optical disc which only plays in one device—the Sony PlayStation Portable)—essentially died as a viable medium for selling anything other than PSP games. For some reason, people didn't want to spend good money on a low-resolution copy of a movie, bound to a plastic cartridge, for viewing on their PSP; perhaps the number of PSP owners who would use their units for repeatedly watching Spiderman 2 on the train, as opposed to, say, playing videogames, wasn't that great to begin with, and the percentage willing to incur the cost of buying a movie in this inflexible format was even lower. Not even Sony giving away UMDs of their films with DVDs, for only slightly more money, could revive the flagging format.

So now, we learn that Sony are trying to revive the UMD format as a medium for movies by selling TV shows on it, in conjunction with MTV (formerly a music-video channel, now a purveyor of entertainment to the lucrative young-and-dumb demographic). That's right; presumably some executive decided that, while people may not be willing to pay money for a disc containing a version of a movie that only plays on their PSP, they'd be willing to do so for some episodes of Beavis & Butthead. Unless they're planning to bundle them with boxes of breakfast cereal or something.

It's not just the cost of purchasing the disc that counts; it's also the cost of having another bit of plastic taking up space in your house and your mental filing system. As the value of the bits of plastic decreases, the awkwardness of their material nature increases. (A video game you may spend many hours playing is worth a plastic disc and case to store it in—not to mention £25 or however much it costs— a movie you watch once or twice, less so, especially since looking at a small handheld screen is not the best way to enjoy movies if there are alternatives. A few episodes of a TV show sounds like an even more marginal proposition, and the sort of problem that downloads were invented to solve.) Especially in a format whose flexibility is deliberately limited.

business dead media marketing media mtv sony stupidity tech umd [3 comments]

Nokia to buy Trolltech, the Norwegian company behind the Qt C++ user interface library (as used in Linux desktop KDE and numerous multi-platform applications including Google Earth and the Last.fm client) and the Qtopia mobile user interface platform. Nokia has pledged to continue the development of Trolltech's software and its commitment to open source, and this step could give it more of a foothold in the Linux mobile phone market. The future for Nokia's own Maemo toolkit (based on Linux and rival user interface library GTK) looks less certain.

(via Engadget) business linux mobile phones nokia qt scandinavia software tech trolltech [no comments]

2008/1/16

Sun has bought MySQL, maker of the popular open-source database system. Which looks like good news to all concerned, as Sun have a good reputation for supporting open source.

(via /.) business mysql open-source sun tech [no comments]

2008/1/11

The Graun's Geoffrey Wheatcroft on Tony Blair's new sinecure as an advisor to JP Morgan:

And although Blair has been praised by the self-styled "very rightwing" historian Andrew Roberts for destroying socialism, that also misses the point. Blair never really understood the undoubted failures of state socialism, he just hated the Labour party. He has never intellectually grasped the case for the competitive market economy, he just loves the rich.

business jp morgan labour politics socialism thatcherism-blairism tony blair uk [no comments]

2007/12/19

David Byrne interviews Thom Yorke about the In Rainbows experiment, and writes his own assessment of the changing state of the music industry. Meanwhile, MTV has its own timeline of "the year the music industry broke". And open-standard-friendly MP3/video player manufacturer Neuros has created a trademark for DRM-free media.

(via Boing Boing, Engadget) business capitalism music the recording industry [no comments]

2007/10/1

The Lonely Planet publishing company, best known for its travel guides (as well as random travel-related books and a stock photography library) has been bought — by the BBC, of all people. Well, by BBC Worldwide, which is the BBC's commercial arm (the one which sells BBC content to non-licence-fee-payers outside the UK for profit).

BBC Worldwide international director Ian Watson said there was "absolutely no intention" of introducing advertising into Lonely Planet, which he described as "the most important brand to travellers around the world". "One of the things we very quickly got to talking to with Tony and Maureen was just how closely aligned our editorial values are," he said.
The BBC is mooting expanding Lonely Planet's online services and creating TV programming based on the guides. The Lonely Planet offices remain in Footscray (which, for the Britons reading this, is sort of the Melbourne equivalent of Hackney or somesuch), and the management remains unchanged.

bbc business lonely planet travel [no comments]

2007/9/15

Alternative/industrial musician Trent Reznor has a few words to say about his record company in Australia:

Well, in Brisbane I end up meeting and greeting some record label people, who are pleasant enough, and one of them is a sales guy, so I say "Why is this the case?" He goes "Because your packaging is a lot more expensive". I know how much the packaging costs -- it costs me, not them, it costs me 83 cents more to have a CD with the colour-changing ink on it. I'm taking the hit on that, not them. So I said "Well, it doesn't cost $10 more". "Ah, well, you're right, it doesn't. Basically it's because we know you've got a core audience that's gonna buy whatever we put out, so we can charge more for that. It's the pop stuff we have to discount to get people to buy it. True fans will pay whatever". And I just said "That's the most insulting thing I've heard. I've garnered a core audience that you feel it's OK to rip off? F--- you'. That's also why you don't see any label people here, 'cos I said 'F--- you people. Stay out of my f---ing show. If you wanna come, pay the ticket like anyone else. F--- you guys". They're thieves. I don't blame people for stealing music if this is the kind of s--- that they pull off.

(via Boing Boing) business music nine inch nails parasites riaa the recording industry trent reznor [1 comment]

2007/5/30

Oh-oh; music-based social networking site last.fm has just been bought by old-media dinosaur CBS, for £140m. CBS say that last.fm will retain its own identity (as opposed to being rebranded as "MTV 2.0" or something) and its managing team will remain in place, so hopefully it won't turn to dross immediately.

business corporations last.fm web [2 comments]

2007/5/17

An email, incorrectly claiming that Apple's iPhone and Leopard had been delayed, wiped US$4bn off the value of the company. Once Apple issued a clarification, stock soon climbed back to most of its original value within about 15 minutes.

I wonder whether whoever sent the email managed to snag some bargain-priced Apple shares.

apple business capitalism email hoax stockmarket [no comments]

2007/5/15

The Guardian looks at the question of whether infant-formula villains Nestlé, the subjects of a boycott since 1977, have reformed their act as they claim. The answer, sadly, is no.

"The reps are very aggressive - there are three or four companies, and they come in every two weeks or so," he says. "Their main aim is to recommend their product. Sometimes they bring gifts - Nestlé brought me a big cake at new year. Some companies give things like pens and notebooks, with their brand name on them. They try very hard - even though they know I am not interested, that I always recommend breastfeeding, still they come."
According to Save the Children's report, infant mortality in Bangladesh alone could be cut by almost a third - saving the lives of 314 children every day - if breastfeeding rates were improved. Globally, the organisation believes, 3,800 lives could be saved each day. Given that world leaders are committed to cutting infant mortality by two thirds by 2015 as one of the Millennium Development Goals, protecting and promoting breastfeeding is almost certainly the biggest single thing that could be done to better child survival rates. But the formula companies, despite the international code, continue to undermine campaigners' efforts.

activism boycott business corporations ethics nestlé skulduggery villainy [no comments]

2007/5/12

Google's shareholders say, alright, let's be evil where it's profitable:

A majority of Google shareholders today voted against an anti-censorship proposal that took aim at the way the search giant conducts its business in China and other countries that engage in active censorship.
The specific text of the failed proposal, available in the company's online proxy statement, stated:
  1. Data that can identify individual users should not be hosted in Internet-restricting countries, where political speech can be treated as a crime by the legal system.
  2. The company will not engage in pro-active censorship.
  3. The company will use all legal means to resist demands for censorship. The company will only comply with such demands if required to do so through legally binding procedures.
  4. Users will be clearly informed when the company has acceded to legally binding government requests to filter or otherwise censor content that the user is trying to access.
  5. Users should be informed about the company's data retention practices, and the ways in which their data is shared with third parties.
  6. The company will document all cases where legally binding censorship requests have been complied with, and that information will be publicly available.
Of course, that doesn't mean that Google will give up the slogan "don't be evil"; given that, in the context of what they do, "evil" is a fairly vague term (even harder to nail down than Apple's environmental record, a subject of some debate), if they do start shopping dissidents to the Chinese government and propping up totalitarian regimes in the interests of profits, if anything, they're more likely to start spinning heavily on the we're-nice-guys angle; sort of like Nestlé.

(via jwz) business capitalism censorship china google realpolitik [no comments]

2007/4/2

Major recording label EMI has confirmed that it will sell its entire music catalogue in high-quality, DRM-free formats. In a joint announcement in London with Apple's Steve Jobs, EMI's CEO announced that the "premium" versions will be available on iTunes from May for 99p a track, with upgrades from previous downloads available for 15p; standard-quality, DRM-encumbered tracks will remain available for 79p. It is anticipated that the DRM-free downloads will become available on other services (presumably in MP3 or FLAC formats). Doing this, EMI becomes the first major label to join a slew of indie labels selling MP3s through services like EMusic.

Apple boss Steve Jobs shared the platform with Mr Nicoli and said: "This is the next big step forward in the digital music revolution - the movement to completely interoperable DRM-free music."
He added: "The right thing to do is to tear down walls that precluded interoperability by going DRM-free and that starts here today."
Other record companies would soon follow EMI's lead, predicted Mr Jobs.
Reports of Edgar Bronfman Jr. throwing a chair through the Warner Music boardroom window have not been confirmed.

apple business copyfight drm emi itunes riaa tech [1 comment]

2007/3/13

Halliburton, the US military/engineering contracting firm which made billions from contracts to "rebuild Iraq", which were supplied without bidding (a state of affairs which apparently had nothing to do with them having been headed by US Vice President Dick Cheney), and which has since become a byword for corporate villainy at its most sinister, is now moving its headquarters from Texas to Dubai, apparently to pay less tax on the US taxpayers' money that's funnelled into its gaping maw.

Sen. Patrick Leahy, D-N.H., called the company's move "corporate greed at its worst." He added, "This is an insult to the U.S. soldiers and taxpayers who paid the tab for their no-bid contracts and endured their overcharges for all these years. At the same time they'll be avoiding U.S. taxes, I'm sure they won't stop insisting on taking their profits in cold hard U.S. cash."
Perhaps, after the next election or two, when they indict Cheney for bathing in human blood or whatever, he can flee to Dubai and live there in splendid exile as well?

(via /.) bush business dubai halliburton villainy [no comments]

2007/2/2

Will Hodgkinson, Guardian columnist and early-1970s folk-rock enthusiast, has decided to start his own record label, and is writing about it:

The plan is simple: in the space of one year, I'm going to launch a record label. I have a name for it (Big Bertha), enough of a loan to get going, in a modest sort of way (£5,000), and a philosophy (Big Bertha's releases have to fit into my existing record collection: somewhere between 1968's Chelsea Girl by Nico and 1972's Moyshe McStiff and the Sacred Lancers of the Tartan Heart by medieval folk-rock obscurities Cob).
The unabashedly retro focus sounds like it could constrain the label somewhat; then again, perhaps in this day when most "indie" music one hears about that's not whorishly commercial and artistically moribund is describable as "hippie-folk" (with, perhaps, the odd laptop), it could work. Perhaps Pitchfork will pick up their releases and break them?

Hodgkinson then describes the next step of his adventure: the talent-scouting process.

My evening at the boozer in the official role of Big Bertha talent scout did not get off to a good start. First up was a woman who insisted on explaining what each one of her painfully literal songs was about. "This song's about the Iraq war," she said, before singing a song called The Iraq War. Then came a middle-aged woman in thigh-high leather boots who looked, in a rather disturbing way, like my mother. She took tambourines and miniature drums out of a Tesco carrier bag and passed them round the audience, insisting that we bang along as she jumped around the stage and yelped discordantly. I shook my tambourine weakly and tried not to burst into tears. The next act was called Scrotum Clamp. Further comment is surely superfluous.
The article is the first in a monthly series, which will chart the progress of newly-formed Big Bertha Records.

business culture indie media music music industry [no comments]

2006/10/24

In their latest attempt to buy underground street cred for their Zune music player, Microsoft approached record-store hipster bible Pitchfork to set up a Zune section on their website where hipsters could use the player's proprietary technology to post reviews and content (all under the umbrella of Microsoft's DRM, of course), and hopefully serve as opinion leaders for making the DRM-crippled, ultra-proprietary piece of crapware synonymous with indie cool as much as the spammy wasteland of MySpace has become with cutting-edge unsigned bands. Pitchfork said no.

"Pitchfork's audience looks at that site like it is the Bible," said one high-level music industry executive. "They might not take too kindly to a Microsoft pop-up on the site or a relationship with such a big corporation."
But Schreiber shot down that rationale. "It wasn't anything political, and I don't want to sell Microsoft or the Zune short," Schreiber said. "But the idea just doesn't make a whole lot of sense for us."
There is still hope for Microsoft: they have trashy celebrity tabloid "legendary indie™ bible" NME onboard. That should give them the not-too-sharp end of the indie-kid spectrum at least.

(via xrrf) business culture drm indie marketing music [2 comments]

2006/10/10

It's confirmed: Google has bought YouTube, for US$1.65bn, snatching it from the grip of old-media behemoths like Viacom and News Corp. Which means that it stands a decent chance of maintaining its existing principles, rather than turning into some kind of ad-spammy, contributor-hostile conduit for corporate marketing.

business google web youtube [no comments]

2006/6/9

What happens when a company known for its ethical principles and alternative business culture is taken over by a multinational corporation? The outcomes vary; in many cases, the "funky"/ethical brand becomes merely a fig leaf over the parent's more conventional business practices:

Body Shop has just become part of the French cosmetics giant L'Oréal; Tom's of Maine fell to Colgate-Palmolive last month; Wales-based Rachel's Organic is a subsidiary of the American conglomerate Dean Foods, which has come under fire in the US over its industrial-scale organic dairies and factory-farm milk production. Pret A Manger is one-third owned by McDonald's; Ben & Jerry's has been under Unilever's ownership for six years and Green & Black's belongs to Cadbury-Schweppes, the world's biggest confectionery company.
At Ben & Jerry's in the US, the relationship with Unilever remains an uneasy one. Ben & Jerry's most recent social audit highlighted a "disappointing" lack of social initiatives at the company and poor morale among employees. It questioned whether the company was "simply a Unilever marketing operation using the brand's reputation for social responsibility to promote sales."
Ethical Consumer magazine runs an online shoppers guide, at www.ethiscore.org, which rates companies and their products on their ethical credentials. Body Shop's rating has plunged from 11 out of 20 to just 2.5 since the L'Oréal deal and the magazine has urged a boycott of its products in protest not only at the French cosmetics group's ownership, but also its links with Nestlé, which owns 26% of L'Oréal. Nestlé has faced boycott campaigns over issues from animal testing to the marketing of baby milk substitutes.
This gloomy scenario, however, is not always the case; occasionally, a parent manages to keep its hands off a smaller unit and its culture, and the subsidiary continues on as before, only with the benefit of the parent's resources:
Like most of the niche businesses bought by multinationals, Green & Black's is run as an entirely separate operation within the Cadbury empire. "It's a case of how they can help us, not telling us what to do," Mr Palmer says.
He adds: "You can be fiercely independent and not have any funds to grow. But does that help the cocoa growers in Belize?"
Perhaps Green & Black's having fared well is more a result of Cadbury's not particularly ruthless corporate culture (weren't the Cadbury family, who owned the company until not that long ago, Quakers or something?). I suspect that had they been bought out by, say, Nestlé, it may be a different picture altogether.

alternative business capitalism corporations integrity [no comments]

2006/4/27

In 2004, an anonymous writer calling herself "ea_spouse" posted a letter detailing sweatshop-like working conditions at video game company Electronic Arts, at which her partner worked, complaining that the company deliberately kept schedules in "crunch time", obliging employees to put in 85-hour weeks with no paid overtime, and thus that her partner came home physically and mentally fatigued. Now, ea_spouse has revealed her identity; she is one Erin Hoffman, married to former EA developer Leander Hasty. If you've ever played "Lord of the Rings: The Battle for Middle Earth", you have experienced the fruit of this chap's gruelling labours:

On Hasty's second day of work, the team was sucked into a six day-a-week "crunch,'' an intense work period. By September, the team had to work 13-hour days, seven days a week.
The exhausted team members started making mistakes and getting sick. For Hasty, the stress triggered an allergic reaction that resulted in stomach problems and chronic headaches. He dropped 10 pounds and turned pale.
They desperately wanted to ditch EA. But they didn't have the $5,000 to repay the signing bonus.
The good news is that the essay led to a class action by video-game industry employees against EA, which has apparently resulted in working conditions in the industry improving. (It doesn't say how much they have improved by, though, and whether anybody in their right mind would be drawn to the industry if they knew about it works now.) Hoffman and Hasty (who now work at an independent game studio) are continuing their activism for video-game developers' rights, and are setting up a web forum for developers to discuss issues at their workplaces.

(via /.) business electronic arts exploitation hypercapitalism videogames [no comments]

2006/4/11

Paul Graham (of "Hackers and Painters" fame) looks at the issue of software patents. His view is that software patents are not inherently more evil than any other kind of patent; in the computerised world we live in, "software patent" is rapidly becoming the default kind, like "electric guitar" or "digital camera"; as such, opposition to software patents would effectively involve opposition to all patents but certain faintly archaic categories. Having said that, there are issues that need to be addressed:

Applying for a patent is a negotiation. You generally apply for a broader patent than you think you'll be granted, and the examiners reply by throwing out some of your claims and granting others. So I don't really blame Amazon for applying for the one-click patent. The big mistake was the patent office's, for not insisting on something narrower, with real technical content. By granting such an over-broad patent, the USPTO in effect slept with Amazon on the first date. Was Amazon supposed to say no?
Where Amazon went over to the dark side was not in applying for the patent, but in enforcing it. A lot of companies (Microsoft, for example) have been granted large numbers of preposterously over-broad patents, but they keep them mainly for defensive purposes. Like nuclear weapons, the main role of big companies' patent portfolios is to threaten anyone who attacks them with a counter-suit. Amazon's suit against Barnes & Noble was thus the equivalent of a nuclear first strike.
And on the question of "are (software) patents evil":
Google clearly doesn't feel that merely holding patents is evil. They've applied for a lot of them. Are they hypocrites? Are patents evil? There are really two variants of that question, and people answering it often aren't clear in their own minds which they're answering. There's a narrow variant: is it bad, given the current legal system, to apply for patents? and also a broader one: it is bad that the current legal system allows patents?
These are separate questions. For example, in preindustrial societies like medieval Europe, when someone attacked you, you didn't call the police. There were no police. When attacked, you were supposed to fight back, and there were conventions about how to do it. Was this wrong? That's two questions: was it wrong to take justice into your own hands, and was it wrong that you had to? We tend to say yes to the second, but no to the first.
Patents, like police, are involved in many abuses. But in both cases the default is something worse. The choice is not "patents or freedom?" any more than it is "police or freedom?" The actual questions are respectively "patents or secrecy?" and "police or gangs?"

(via /.) business intellectual property patents paul graham software patents [no comments]

2005/12/16

There may soon be top-level domains for cities; the push is being spearheaded by a German businessman who wants a .berlin domain:

ICANN recently green-lighted TLDs for geographical regions (.eu and .asia, as well as .cat, established to promote the culture of the Catalonia region of Spain).
"Cities are the next logical step," said Krischenowski, who added that .berlin is just "the tip of the iceberg." (A similar effort is under way in New York, to create .nyc.)
And, of course, there is .la, bought by some Los Angeles entrepreneurs from Laos, but that already existed, so it doesn't count.

I wonder how fine-grained the allocation of domains will be; I imagine that, not long after .london and .nyc are allocated, someone will want things like .northlondon and .brooklyn. (Then again, perhaps London will get a bunch of postcode domains, with trendy Islington eateries getting .n1 domains and such.)

berlin business internet [6 comments]

2005/11/4

The latest instalment in the drawn-out death of film photography: veteran German photographic film company Agfa has declared bankruptcy, and is expected to stop operating by the end of the year.

Agfa has its origins in Germany in 1867 marketing its first colour film in 1936. Until Fuji became a market force, Agfa was the alternative to the dominant player, Kodak. Unlike Ilford, which has reacted to the change in photographic technology by using its paper-making expertise to move into the production of superior inkjet papers, Agfa appears to have misjudged the size and permanence of the digital tidal wave.
In other words, someone at Agfa decided that digital photography was just a passing fad or a niche interest. Oops!

agfa business film oops photography [no comments]

2005/8/1

Not content to sell trucker caps and retro-hipster flight bags to the world's indie kids, Belle & Sebastian have entered the ringtone business. Currently, they only have a few tones (mostly from their last album), and the Flash interface doesn't seem to play the polyphonic ones.

(Speaking of Belle & Sebastian's merchandise business, I wonder how long until they start selling their own line of NHS-style black-frame emo glasses; that would be a natural progression. Either that or doing a deal with a multinational electronics company to make Belle & Sebastian-branded MP3 players and digital cameras, à la GwenStefaniCorp.)

Meanwhile, it's a sign of how much Dionysiac Genius of Rock Pete Doherty's stock has dipped that Damon Albarn is now picking on him, and talking about starting a "Make Doherty History" campaign (a line he seems to have lifted from the cover of Private Eye). I guess that there's no danger of Babyshambles getting up and giving Albarn a sound thrashing, as Oasis did shortly before disappearing in a cloud of cocaine-induced self-importance.

(via xrrf) belle & sebastian business damon albarn marketing pete doherty [2 comments]

2005/7/20

News Corp. buys MySpace, which was the next Friendster/Orkut and/or where all the angsty emo teenagers moved to after LiveJournal became too full of grown-ups. Murdoch paid US$580m for it. No word on whether MySpace.com is going to start showing prominent flags, "We Support Our President" banners and/or ads for Ann Coulter books (or, in Britain, a "Chav And Proud" logo in Burberry check).

(More seriously, News Corporation is known for its fine-grained news-management deployed strategically to influence elections. Perhaps their acquisition of a social-network site, and building up an internet division, could be used to enhance this on an even finer level. Imagine, for example, if they have a system capable of predicting a user's political sympathies, based on their social contacts, web links, and/or keyword analysis of their comments/journal entries. Those with political opinions in line with News Corp. strategic goals could be served with ads and/or news content designed to stir them into activism, whereas those with opposing inclinations could be fed toned-down versions of news articles and ads for escapist entertainment designed to depoliticise them. The possibilities are endless.)

(via /.) business murdoch myspace web [1 comment]

2005/7/18

The book is closed on another chapter of Melbourne music history, as Gaslight Records closes its doors. Gaslight has once been one of the places to get obscure imports, and was famed for its selection of local releases, its quirky calendars (which were second only to Astor Theatre calendars on the toilet doors of Melburnian hipsters) and its annual nude shopping days (a fine celebration of the Australian larrikin spirit); mind you, this is not entirely unexpected; Gaslight had been in decline since ChaosMusic (sort of an Australian cdnow.com) bought the shop in the late 1990s and its selection began to deteriorate somewhat; and the advent of internet commerce hadn't helped its import business either.

I remember Gaslight well; the last time I was there was in May, on my visit to Melbourne. Walking along Bourke St., I heard some particularly lovely post-rock ambience emanating from the shop; I stepped in, and ended up leaving with the new Laura album.

(via cos) business culture melbourne music [1 comment]

2005/7/13

In France, a bus company is suing a group of cleaning ladies for unfair competition for organising a car-pooling service which happens to run along its route. The company wants the women to be fined and their cars confiscated.

(via /.) business chutzpah entitlement france monopoly wrong [no comments]