The Null Device

Posts matching tags 'advertising'

2010/11/7

A Berlin-based advertising agency has created some clever ads for the International Society for Human Rights' press freedom campaign:

advertising détournement freedom of speech human rights media propaganda 0 Share

2010/10/11

Recently, US youth-oriented clothing chain The Gap replaced its logo with a new one, one consisting of nothing more than the word "Gap", in Helvetica, with a blue rectangle in one corner, to much opprobrium from the design community:

Could this be a sign of the end of Helvetica's reign as the epitome of High Modernist cool, and a harbinger of its second decline? The sans serif has been enjoying a revival as the universal (well, almost universal) signifier of timelessness yet clean modernity for a while now; no longer trashily ubiquitous (no, that'd be Arial), the former "official typeface of the Vietnam War" became recognised as a design classic, a force of nature; merely setting something in Helvetica (or, even better, Helvetica Bold), is a statement of understated confidence (see, for example, American Apparel's ads, where it offsets the lo-fi porno aesthetic). A hagiographic documentary, released in the year of its 50th anniversary, didn't hurt either, and nor did Apple going with it as the standard system font of the iPhone, instantly making other mobile platforms look cheap and tacky. (Before this, Apple commissioned custom system fonts for their desktop operating systems; remember, for example, MacOS's "Chicago".) Such were the typographically conservative rules of the age of retro-modernism Helvetica presided over, when heritage was king.

Now, after brand upon brand adopted the plain-black-Helvetica-on-white look, the trend seems to have peaked, and (as Gap has shown us), the emperor has no clothes. Perhaps we'll now see an anti-Helvetica backlash, with some Helvetica users switching to other, arguably better grotesks, such as Akzidenz, Univers and, yes, Aktiv Grotesk and others jumping further afield and rebranding themselves with other typefaces (Futura, as seen in Wes Anderson film titles, could be one to watch, as could Eurostile if one doesn't mind a bit of retro boxiness; Gill Sans, whilst overexposed in Britain, may have legs elsewhere, and perhaps FF Meta is old enough to be not so much trendy as mature), or even an explosion of daring experimentation and a move away from the classics and towards all-new typefaces.

Anyone want to bet on what the iPhone 5's system font will be? I imagine that with this and Windows Phone 7 one-upping the mid-20th-century public-signage aesthetic, the time for a break with Helvetica could be right.

advertising design helvetica typography 0 Share

2010/10/10

A chap in Russia has posted scans from a book of ads from the British motor company Rootes, circa 1961. The ads are all beautifully illustrated, looking somewhere between the illustrations in vintage children's books and a subtly Anglicised take on the 1950s American Dream (the cars gleam and present seductive images of freedom and leisure, though the tailfins have a subtle, very British, understatement about them).

This was once the heady height of modernity. Air travel was still expensive, and the trains still ran on coal, but Britain had a shiny new motorway system, and for the cost of a gleaming car, it was yours to explore. Oil was cheap, and as far as anyone could tell, would remain cheap forever.

Adding even more texture to it, a number of the ads are in Russian. The book was produced for an exposition in Moscow; perhaps, at the height of the brief thaw of the Khrushchev administration, the executives of Rootes imagined that Russians may soon be enjoying a version of the British take on the American Dream?

(via Boing Boing) advertising history retro uk 1 Share

2010/9/21

Some time ago, I read about luxury goods companies sending free samples to celebrities. More specifically, sending free samples of their rivals' products to trashy celebrities, partly to obviate the need for them to buy their product and also to slime their rivals' brand image.

Today, I see the following text ad at the top of my Gmail:

I wonder whether this could be Google doing the same sort of thing to Microsoft's search engine.

For what it's worth, I know only enough about who Cheryl Cole is to have no desire to watch videos of her. I imagine it is not inconceivable that Google, with their vast databases of users' browsing histories, mail keywords and interests, would be able to infer this from my history. And if they have a model which can predict whether the probabilities of a user liking or disliking X (where X is a product, band, celebrity, political party or other unit of discourse) are increased or decreased by their history of choices, perhaps they can run this model in reverse, turning it into a discommendation engine of sorts. In other words, given a user's history, perhaps Google can predict exactly what sorts of things would be likely to put them off. Which, of course, would be useful for sliming rivals' brands in carefully placed ads.

Of course, something like that would stretch "don't be evil" to breaking point (it's the kind of douchey move you'd expect from viral Facebook game vendors or someone, not Google), and I suspect that Google aren't as resigned to becoming the next Evil Empire in the public's eye to openly start doing this sort of thing. But still, it's a theoretical possibility. The other, perhaps more economical, explanation is, of course, that this is just an authentic example of hamfistedly untargeted marketing from Microsoft (find something a lot of people are into, like celebrity gossip, and carpet-bomb everyone with the same ads).

advertising google marketing microsoft 0 Share

2010/4/27

A Canadian paper company has launched a campaign to get people to print more:

“There is an appropriate use for paper. You should feel comfortable to use it appropriately and you shouldn’t be feeling there is some environmental negative when you use it,” Mr. Williams said at a news conference Monday. “People do not have to feel guilty about using paper to print.”
“Young people really are not printers. When was the last time your children demanded a printer? They want the electronic device,” Mr. Williams said after making a luncheon presentation to the Canadian Club.
To get the youngsters hooked, the campaign will use Facebook and YouTube.

advertising business capitalism corporations environment paper 0 Share

2010/3/5

The social network site Facebook is supported by advertising. Being a social network site, it has the advantage of being able to serve (anonymously) targeted ads to its users, who volunteer demographic information about themselves in using the site; advertisers can target ads to users whose profiles or recent activities match certain criteria. Unfortunately, when handled clumsily, the effect can be disconcerting or creepy:

One campaign that flooded the site in recent weeks, before Facebook cracked down on it, tries to take advantage of consumer interest in Apple’s iPad. “Are you a fan of Eddie Izzard? We need 100 music and movie lovers to test and KEEP the new Apple iPad,” one version of the ad says. Louis Allred Jr., 29, a Facebook user in Los Angeles who saw the ad, said he figured it was shown to him because he or a friend had expressed enthusiasm for Mr. Izzard, a British comedian, on their profiles.
Off-key and/or sleazy ads on Facebook are nothing new, of course; ads juxtaposing pictures of hot chicks with unrelated, often dubious-looking, offers, for example, have been on the service for years, and presumably have snared a number of not particularly discerning individuals. But now Facebook are allowing advertisers to effectively write templates to be filled in with users' details ("SPECIAL OFFER FOR $gender AGED $(age-1)-$(age+1) WHO LIKE $interest"). Which sounds like a way to game unmerited trust out of punters, but, more often than not, falls into an uncanny valley, falling short of being convincing and coming off as unsettling, or worse:
Women who change their status to “engaged” on Facebook to share the news with their friends, for example, report seeing a flood of advertisements for services and products like wedding photographers, skin treatments and weight-loss regimens.
And the knowledge that ads are targeted by some data-mining algorithm can, in itself, add a dimension of unease to what might well be coincidences:
Jess Walker, 22, from central Florida, was recently presented an ad for Plan B, the morning-after pill. “What do I have on my Facebook page that would lead them to believe I would need that?” she asked, adding that she did not want her sexual behavior called into question.

advertising data mining facebook fail mori's uncanny valley privacy scams 2 Share

2009/11/5

This juxtaposition between content and automatically served ads has recently been brought to my attention:

It would appear that the culprit is Google's ad-serving algorithm, which seems to be based on keywords or word frequencies in the content; in this case, I'm guessing that it noticed that the page was about strings, and it had an ad targetted at a number of keywords, including "string". And, hence, we have an illustration of why naïve keyword-based content matching can fail.

I imagine that Google could do better than this. They have (a) a copy of the entire Web, stored and indexed as they see fit, and (b) huge quantities of parallel-processing power to crunch through this and data derived from this. They have already used this to great effect in building statistical models of language, which they use in things like their language tools and the context-sensitive spelling correction in Wave. I imagine, though, that it could be used to implement a machine-learning system, taking content classification beyond word frequencies.

Imagine, for example, if there were a classification engine, trained on millions of web pages (and auxilliary data about them) that, when fed a web page or document, could assign it a score along several axes with some degree of accuracy. Some axes could be the obvious things: a "sex" axis, for example (with thongs falling on one side and C++ classes well on the other) could be used for things like SafeSearch. An "emotional response" axis could be used to classify how likely content is to arouse strong emotions; on one end would be accounts of lurid violence and depravity, and on the other end things like source code and stationery catalogues, with art, celebrity gossip and LiveJournal angst falling in the spaces between. As soon as a page crossed a certain point on the axis, the ad-serving algorithm could stop matching ads by keywords (you don't want ads for airfares next to a piece about an air crash, for example), or even reverse them (so that topical ads aren't shown).

In fact, one need not restrict oneself to pre-imagined axes; it's conceivable that an ad serving company with Google's resources could set up a learning engine, program it to categorise pages according to a dozen arbitrary axes, and see what comes about and what it's useful for, in turn coming up with a model for clustering web content into crisply defined categories that no human would think of. Of course, for all I know, someone at Google (or Microsoft or Facebook) could be doing this right now.

(via David Gerard) advertising c++ fail google juxtaposition sex 3 Share

2009/10/12

Art installation/commercial of the day: Soundville, in which Juan Cabral (the chap behind the Sony Bravia bouncing ball ad) converts the Icelandic town of Seyðisfjörður into a giant sound system, wiring it up with speakers, playing music and sounds through them for three days, and filming the locals' reactions. For this project, Cabral had enlisted the help of several people, including Múm and the team behind Sigur Rós' live concerts. More about it here.

advertising art iceland juan cabral music 0 Share

2009/8/12

Recently in unintentionally humorous juxtapositions: 23 unfortunately placed web ads:


(via DownloadSquad) advertising humour irony juxtaposition unintentional 4 Share

2009/7/23

Imagine, for a moment, that you have published an online multiplayer strategy game. How do you get players to play your game (and, more importantly, spend money on the numerous playability enhancements, from premium-priced instant messages to power-ups) rather than any of the numerous other games out there? Well, you could concentrate on making a particularly playable game, give away accounts and wait for word of mouth to do its work. Or, if you're the publisher of Evony (formerly known as Civony), a game heavily inspired (to phrase it somewhat generously) by Sid Meier's Civilization games only much more heavily monetised, you could bet on the assumption that sex sells and plaster the web with increasingly lascivious ads, in which the traditional cod-Tolkienist clichés gradually give way to gratuitous female nudity, culminating in the apotheosis: a close-up of a lingerie-clad bosom, with nothing about the actual game whatsoever. It's Idiocracy marketing taken a few steps beyond the typical Facebook ads with pictures of hot chicks promoting completely unrelated products, assuming that your target market is comprised entirely of idiots who, when shown pictures of BOOBIES!!!1!, begin drooling like Pavlov's Dog and reflexively get their credit cards out.

And here is a Grauniad piece about Evony. It seems that their dodginess goes well beyond patronisingly pornographic ad campaigns, and extends its slimy tentacles into everything from spamming blog comments to gold-farming and gouging their clientele (the "suckers", as I believe the technical term is) to lifting text and graphics from existing games. These people, it seems, have more contempt for their user base than MySpace.

And as if bad advertising and tenuous intellectual property were not enough, the game is also under fire for its business model – a system that seems intent on getting players to spend as much money as possible. Players are encouraged to buy in-game extras to speed their progress – but the confusing way the game prices its add-ons means that many users may not realise that a simple action, such as sending a message to another player, can cost 15p a time.
It turns out that the site's backers are equally unpopular. Evony is the product of Universal Multiplayer Game Entertainment (UMGE), a developer linked to a Chinese gold-farming operation called WoWMine. That site has also come in for regular criticism, but the real kicker comes with the news that the company's owners are being sued by Microsoft over allegations of click fraud.

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2008/10/22

Nestlé, the food corporation whose name has been synonymous with unethical marketing of infant formula in the developing world, has been caught engaging in yet more dubious marketing practices abroad, this time when an ad for Maggi noodles, intended for Bangladesh, was mistakenly aired on a UK-based satellite channel, bringing it under the jurisdiction of the Advertising Standards Authority:

Shown on Nepali TV, the advert suggested that Maggi Noodles helped build strong bones and muscles. A boy playing tug-of-war with his friends ran in to see his mother, who explained to him: "Maggi is the best because it has essential protein and calcium that help to build strong muscles and bones." On-screen graphics depicted a yellow glow over a bicep and a knee, implying that those areas of the body were helped by the product.
In a statement, Nestle said: "We rigorously ensure that all health claims made on Nestle products comply with local legislation. The advert had been approved for broadcast and complied with the necessary legal requirements in Bangladesh, the market the advertisement was intended for. "It was never intended for transmission in the UK."

advertising bangladesh deception ethics nestle skulduggery 0 Share

2008/10/7

Atheist and Guardian blogger Ariane Sherine took offense at those ads religious groups have on the sides of buses, and decided to start a campaign to put a similar atheistic ad on buses in London. After some wrangling with advertising companies (who were reluctant), one has agreed to run the ad (which reads "There's probably no god. Now stop worrying and enjoy your life"; I think Douglas Adams would have approved, don't you?) if their sponsors can raise £1,100. As such, Sherine is looking for 1,100 atheists, agnostics or fellow travellers to pledge £5 each.

advertising atheism london religion 4 Share

2008/9/22

A few weeks ago, officials in Lancaster, California allowed the Honda company to grind grooves into a stretch of road, so that the wheels of cars driving along would play the melody of the William Tell Overture, at least if the cars were similar in dimensions to the Honda Civic, as part of an advertising campaign. Now, faced with complaints from nearby residents, the officials are planning to pave over the musical grooves:

The road is tuned to a car just exactly the length, and equipped with tires the same size, as a Honda Civic, a spokesman for Honda said. But other vehicles are also successful in playing the notes, if a little off-key.
That noise is not exactly music to the ears of persons living in a nearby subdivision, who are telling the Daily News that the notes blend into a cacophony that keeps them awake at night.
"When you hear it late at night, it will wake you up from a sound sleep," said music critic Brian Robin, who lives a half mile away from the project. "It's awakened my wife three or four times a night," he told the newspaper.
There's a video of the musical highway here. You can probably imagine how, with several cars traversing it at different speeds, it could sound quite cacophonous.

I wonder how feasible it would be for guerilla art pranksters, MySpace band self-promoters and/or viral marketing scumbags to surreptitiously cut their own grooves into roads without any sort of permission. I imagine a device that lays down grooves whilst driving innocuously along, and doesn't attract the attention of the local road police, would be infeasible.

(via substitute) advertising bizarre cars fail marketing 0 Share

2008/6/16

Charlie Brooker weighs in on the issue of product placement, with a modest proposal of his own:

Let's say you're trying to launch a new soft drink. Traditionally you'd have to spend millions on a commercial, and millions more booking airtime for it. Screw that. Here's what you do: put up one billboard. Just one. Somewhere on a route near Buckingham Palace or Downing Street. Point a camera at it 24/7. Then simply pay a sniper to assassinate someone of global importance when they pass in front of it. Bingo! The clip will run on an endless loop on every news channel in the world, for eternity. Even as viewers gasp in horror watching the victim's head explode like a watermelon, they'll simultaneously be thinking "What's that? New Plum-Flavoured Pepsi? Cool!" each time a chunk of skull flies past your logo.

a modest proposal advertising assassination charlie brooker marketing product placement 0 Share

2008/6/15

Meanwhile, the UK's media minister has vowed not to allow product placement in British-produced television programmes, saying that to do so would compromise the high esteem in which British television is held worldwide.

(Is British television still held in the same high esteem it was years ago, though? There is a good deal of unoriginal and generally cheap programming being made in Britain these days. Meanwhile, American television seems to have transcended its reputation for lowest-common-denominator programming, with series winning acclaim.)

(via MeFi) advertising marketing product placement television uk 0 Share

2008/4/3

Something which amuses me is the ads on Facebook, and the juxtapositions of irrelevant images (typically of attractive-looking young women, at times in provocative poses) next to pitches for products of various dubiosity, ranging from fairly well-known credit-rating agencies to get-rich-quick schemes and online gambling sites, but having as a common feature an inherent lack of sex appeal. The rationale, I'm guessing, is pure postmodern cynicism: somewhere, some executive decided that the model consumer they're pitching at is like one of the slack-jawed halfwits from Idiocracy ("Gee, I don't know the first thing about work-from-home schemes and stuff... but I sure like hot chicks!"), and decided to market at this notional demographic. Not aiming merely for the dullards, but also for those consumers, brought up on trashy television and celebrity gossip, who are well versed in the practice of simulating being simpletons in order to be entertained, as the Judd Apatows and Seann William Scotts of this world (and their bank managers) know. Call it cognitive slumming, if you will.

Sometimes, though, the juxtaposition between the content (or, rather, its tone) and the Irrelevant Hot Chick Picture becomes quite jarring. Case in point:

advertising bizarre cynicism facebook irritainment marketing stupidity 0 Share

2008/2/4

The culture jammer calling himself The Decapitator has released a video of his latest stunt—hijacking a consignment of copies of free commuter tabloid TheLondonPaper, modifying them by gruesomely beheading David Beckham in a mobile phone ad, and then droplifting the doctored copies near Old Street, all in the space of 3 hours.

(via Wired News) advertising culture jamming david beckham détournement london media pranks the decapitator 0 Share

2008/1/24

Lambasted for climate change and scorned by the green set, car companies are tailoring their marketing to the asshole demographic:

First to India, where an advert for the Ford Endeavour finds this 4x4 behemoth leaving slushy tracks on a melting polar landscape. Behind the two-tonne, seven-seater vehicle, which does just 7.5 km per litre in city driving conditions (compared to 22kmpl for India's new "People's Car", the Tata Nano), stand two rather forlorn-looking polar bears, an animal that has become the symbol of climate change. Could Ford India have chosen a more inappropriate setting to sell its wares? A children's playground, perhaps?
Ford in the UK goes for a much simpler approach with its Fiesta Zetec Climate (why would you ever use the word "climate" to name a car?) ads by accompanying a picture of the car with just a short sentence: "Most people would prefer a hot climate." It wouldn't appear as if Ford's survey of people's climatic preferences extended to those living in already parched regions of the planet now fearing the kinds of sharp temperature rises predicted by climatologists.
The messaging still not blunt enough for you? Try Hyundai's "Greed is Good" adverts then. Reprising the mantra of Gordon Gekko, Michael Douglas's odious city-trader character from the film Wall Street, is exactly what the environment needs right now, isn't it? Oh, how we need a return to the devil-may-care, me-want-now consumerism of the 1980s.
Aside: when the line "greed is good" was penned for the film Wall Street in 1987, it was obviously an extreme, fringe view, that of a despicable character. Is this the case now, in the age of the Blatcherite "shareholder democracy" and "enterprise culture", where we are all encouraged to be marketing characters, constantly engaged in commerce, leveraging and monetising our assets much as sharks must constantly keep moving?

Meanwhile, someone at EDF's ad agency doesn't seem to have read Jared Diamond's Collapse:

The French energy giant EDF appears not to have done its homework before deciding to use the statues of Easter Island to reinforce its message that, "We develop tomorrow's energies for future generations." EDF is one of the world's largest suppliers of nuclear energy, an irony that ClimateDenial.org is quick to point out: "The Easter Island civilization collapsed from deforestation and overpopulation. The statues are a symbol of hubris and denial in the face of an impending environmental disaster. What staggering stupidity to use them to promote nuclear power".

advertising assholes cars climate change environment global warming marketing unclear on the concept 1 Share

2008/1/5

Some anonymous guerilla artist has been hacking the heads off models in advertising posters in London. Dubbed the "East London Decapitator", he or she creates meticulously photoshopped overlays, with the figures' heads replaced with gory stumps and the surroundings splattered with blood, and pastes them over the advertisements. Nobody — not squeaky-clean Disney stars, not pop singers, not even computer-animated characters — is safe.

There is a Flickr photo set here. It's pretty entertaining, as long as he/she doesn't escalate into beheading actual live models or something.

(via Wired News) advertising art culture jamming decapitation détournement guerilla art london pranks 1 Share

2007/11/9

It looks like Facebook (the social network site which promoted itself on being less jarringly obnoxious than MySpace) may soon explore new frontiers of annoyingness:

"Evil is deeply embedded in Facebook's corporate DNA," said Umair Haque, a strategy consultant who covers digital media and innovation on his blog, Bubblegeneration.com.
As Nicholas Carr, former executive editor of the Harvard Business Review, wrote in his blog: "It's a nifty system: First you get your users to entrust their personal data to you, and then you not only sell that data to advertisers but you get the users to be the vector for the ads. And what do the users get in return? An animated Sprite Sips character to interact with."
In describing Facebook's new advertising system at a US conference this week, Facebook founder Mark Zuckerberg made it clear there would be no avoiding the onslaught of advertisements and viral marketing on Facebook. "There is no opting out of advertising," he said.
I don't know about you, but I don't want little animated M&Ms characters doing skateboard stunts in the corner of my personal messages or sentences announcing the latest iPod or trainer auto-edited into comments I make on people's walls. If Facebook gets annoying, I'll stop using it, and I won't be the only one.

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2007/5/12

Meanwhile, Google has filed a patent for using online games to build up psychological profiles of users, and using these for targetting ads:

The company thinks it can glean information about an individual's preferences and personality type by tracking their online behaviour, which could then be sold to advertisers. Details such as whether a person is more likely to be aggressive, hostile or dishonest could be obtained and stored for future use, it says.
The patent says: "User dialogue (eg from role playing games, simulation games, etc) may be used to characterise the user (eg literate, profane, blunt or polite, quiet etc). Also, user play may be used to characterise the user (eg cautious, risk-taker, aggressive, non-confrontational, stealthy, honest, cooperative, uncooperative, etc)."
Players who spend a lot of time exploring "may be interested in vacations, so the system may show ads for vacations". And those who spend more time talking to other characters will see adverts for mobile phones.
Not all the inferences made by monitoring user activity rely on subtle psychological clues, however. "In a car racing game, after a user crashes his Honda Civic, an announcer could be used to advertise by saying 'if he had a Hummer, he would have gotten the better of that altercation', etc," the patent says. And: "If the user has been playing for over two hours continuously, the system may display ads for Pizza Hut, Coke, coffee."
And on a related note, Bruce Schneier on how today's likely surveillance dystopias differ from Orwell's totalitarian vision:
Data collection in 1984 was deliberate; today's is inadvertent. In the information society, we generate data naturally. In Orwell's world, people were naturally anonymous; today, we leave digital footprints everywhere.
1984's Big Brother was run by the state; today's Big Brother is market driven. Data brokers like ChoicePoint and credit bureaus like Experian aren't trying to build a police state; they're just trying to turn a profit. Of course these companies will take advantage of a national ID; they'd be stupid not to. And the correlations, data mining and precise categorizing they can do is why the U.S. government buys commercial data from them.
And finally, the police state of 1984 was deliberately constructed, while today's is naturally emergent. There's no reason to postulate a malicious police force and a government trying to subvert our freedoms. Computerized processes naturally throw off personalized data; companies save it for marketing purposes, and even the most well-intentioned law enforcement agency will make use of it.

advertising dystopia gaming google psychology surveillance 0 Share

2007/1/26

In Australia, the Pom Anti-Defamation League has succeeded in getting a beer advertising campaign pulled that negatively stereotyped the English. The campaign in question, for Toohey's, played on negative stereotypes of the English ("Poms") as inveterate complainers with a phobia of cold beer, and apparently did so a bit too mean-spiritedly:

The radio advertisement for Tooheys brewery and its New Supercold beer employed a group of Englishmen to sing the tune of Land of Hope and Glory using various synonyms for whinge, including whine, moan, slag and complain.
His group also contested another version of the advert that had been made for television audiences. It featured footage of an overweight, pale man, wearing a Union Jack T-shirt, cringing in fear at the offer of a cold beer. The advert was withdrawn before the action against it could proceed.
The Tooheys advertising campaign was also connected to these advertisements on Sydney buses.

advertising australia culture english poms stereotypes uk 0 Share

2006/12/20

This year's crop of pre-Christmas advertising in London includes campaigns from various charities, suggesting that people buy, as gifts for their loved ones, items of aid for people in developing countries. Oxfam's version of this campaign, titled "Famously Funusual Gifts", seemed particularly strained:

Other than "funusual" being a somewhat cringeworthy neologism, it is also inaccurate. One can say a lot of good things about giving someone a certificate that their gift was a goat for an African village or a combination children's playground and water pump: it can be worthy, enlightened, socially aware, and, yes, unusual. However, to say it is "fun" is somewhat of a stretch. One might get a lot of satisfaction, a feeling of wellbeing or worthiness, or (more uncharitably) a smug sense of moral and cultural superiority over the Sun-reading philistines who merely got a new plasma-screen TV for Christmas; however, none of these emotions are usually classified as "fun". Even if the certificate one gets in lieu of a present is set in Comic Sans and festooned with quirky cartoons.

This use of "fun" sounds like a potential neologism in the making; perhaps we will see the meaning of "fun" change to refer to something that's not particularly enjoyable though one is obliged, by social pressure, to grin and bear it and pretend that it is in order to keep up appearances of worthiness or superiority. ("This village toilet is the best gift ever; so much better than a Nintendo Wii.") Eventually, the implicit sarcasm will seep into the word "fun", and its original meaning will go the way of other words like "gay" and "special": "That sounds totally fun. Let's go do something else instead."

advertising fun funusual language neologism oxfam society 1 Share

2006/11/12

Could this be a new record for concentrated stupidity on an advertising poster?

That's right: a male cow. Either:

advertising cynicism hollywood marketing stupidity 3 Share

2006/9/20

The Brazilian city of Sao Paolo may soon completely ban advertising billboards, which the city's mayor calls "visual pollution".

advertising brazil no logo sao paolo 2 Share

2006/7/5

A new advertising agency in the Netherlands has started offering advertising on zoo animals and hookers' thighs. The agency instoresnow.nl also offers advertising iin religious establishments and huge floating billboards off popular beaches. Unfortunately for those willing to buy, the agency doesn't actually exist, but is merely a satirical project by a design student, Raoul Balai:

"I was getting sick and tired of advertising everywhere," Balai told reporters. "But I don't want to preach, and I thought satire would work better."
Prospective customers phoning his fake agency are kept on hold and bombarded with sales pitches until they give up.
Not all are amused, though; an Amsterdam zoo has threatened Balai with a defamation suit after Balai's site showed fish at the zoo inscribed with the brand name of a frozen fish company.

advertising animals art commercialism netherlands prostitution satire 0 Share

2006/6/27

Global advertising agency Saatchi & Saatchi have unveiled the latest breakthrough in making advertising ever more deceptive, intrusive and intelligence-insulting: the stick-on door peephole diorama:

The original intended use is for getting people who don't think critically to buy more crap, though given Gibson's Law ("the street finds its own uses for things"), it could be only a matter of time before muggers/home-invaders start using the technology.

(via Gizmodo) advertising deception obnoxious 4 Share

2006/5/16

In Berlin, a city known for its ultra-cool club scene, a community health service has launched drug awareness ads modelled on the iPod ads.

(via Gizmodo) advertising berlin drugs ipod 0 Share

2006/4/19

The next thing after digital rights management (DRM) may be attention rights management (ARM), which ensures that advertisers get the eyeballs they have paid good money for. Already, the signs are there: Philips have filed for a patent on a broadcast flag to prevent viewers from skipping ads. And don't try channel-surfing either, as that's blocked as well:

Philips suggests adding flags to commercial breaks to stop a viewer from changing channels until the adverts are over. The flags could also be recognised by digital video recorders, which would then disable the fast forward control while the ads are playing.
The patent also suggests that the system could offer viewers the chance to pay a fee interactively to go back to skipping adverts.
Of course, you can still get up and go to the kitchen to grab a snack. Perhaps the next generation will have set-top boxes capable of counting viewers with an infrared camera, and getting petulant (or charging an "ad-skipping fee" to the subscriber's account) if people leave during the ads?
Philips' patent acknowledges that this may be "greatly resented by viewers" who could initially think their equipment has gone wrong.
They don't say...

(via /.) advertising architectures of control attention rights management galambosianism 1 Share

2006/3/15

The Advertising Standards Authority has ruled against an ad for childrens' theatre tickets which mentioned convicted paedophile and glam rocker Gary Glitter.

Showing two young boys, it stated: "Like Gary Glitter in a sweet shop, you too can have your pick of kiddy treats in London's theatre world".
A spokesman for the website said: "We aim to create advertising which makes us stand out. However, on this occasion we realise that there has been an error in our judgment."

(via Londonist) advertising bad taste gary glitter paedophilia wrong 0 Share

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