Posts matching tags 'mp3s'
2007/6/28
There is a MP3 of Trembling Blue Stars doing an acoustic version of The Field Mice's Missing The Moon on their MySpace page. Stripped down from its synthpop baroqueness to one guitar and vocals, the song gains a new immediacy and poignancy. Go and download.
(via Bowlie) ¶ [no comments]
2007/5/18
The Spill Label, Greg Wadley's indie label, spent much of the 1990s compiling tracks by Australian indie bands (that's real indie bands, ones without marketing budgets or commercial sponsorship) and releasing them on a set of cassette and CD compilations. They've now made these compilations available for download in MP3 format. This includes Spill 1, 2 and 3, as well as the Box compilation of bands covering TV theme songs (which has some quality material) and the Kraftworks compilation (no prizes for guessing what this is), and includes material by artists such as Clag, Clowns Smiling Backwards, Small World Experience, Minimum Chips, various projects involving the likes of Laura Macfarlane and Guy Blackman and, of course, New Waver.
2007/5/15
Psst! If you go here, you'll find a MP3 of Architecture In Helsinki's new song, Heart It Races, as covered by new-jack-indie artist Hey Willpower. For the Flash-challenged, you can snarf the MP3 from here.
(via M+N) ¶ [no comments]
2007/5/9
A blog calling itself Psychotic Leisure Music has posted MP3 copies of the ultra-rare Japanese CD release of the Dogs In Space soundtrack. The Japanese version is equivalent to the "PG-rated" vinyl release, in that the songs aren't overdubbed with snippets of film dialogue.
(via Rocknerd) ¶ [3 comments]
2007/5/3
The Architecture In Helsinki marketing juggernaut is gearing up to promote their upcoming releases; MP3 blog Stereogum now has an electro-dance remix of their latest single, Heart It Races; this dispenses with the reggaetonisms of the original (could it be that AIH read ILX last year as well?) and sounds much as you'd expect something titled the Pink Skull remix to sound: hard-edged and hyper-fashionable. Expect to hear this playing in the coolest boutiques in Prahran.
(via xrrf) ¶ [no comments]
2007/2/11
1 Hour Of Music In 20 is an irregular podcast presenting 20 minutes of excerpts of music along a theme, with insightful commentary by the curator, Hermione Gilchrist. The most recent one is quite good, consists of excerpts of incidental music from various films, by the likes of Mychael Danna, Mark Mothersbaugh and David Bridie.
(via Zoe) ¶ [no comments]
2006/11/23
Today's dose of wrongness comes in the form of an outtake from the new Momus album, on which he raps in a bad cod-Jamaican accent about "murdering a pretty little bonsai tree", over a trip-hop beat.
(via
imomus) ¶ [no comments]
2006/11/15
Product Music, a collection of tracks from American "industrial musicals" of the mid-20th century. Despite the name, these do not consist of Einsturzende Neubauten-style metal percussion and propane-powered death-juggernaut organs, but rather of songs, varying from cheesy showtunes to cheesy faux-country numbers to lounge grooves, with lyrics (of varying degrees of clunkiness) about whatever product, brand or company it is that is changing our lives and/or leading us into a bright future. In other words, like Leave-It-To-Beaver-era America's equivalent of Popshopping.
(via Boing Boing) ¶ [no comments]
2006/11/10
Downloadable copies of tapes of Australian experimental/electronic composition/sound art from the 1980s, from a magazine named NMA. Expect aleatoric piano tinkling, electronic drones, detuned cellos, musique concrète, and the odd Japanese TV commercial.
(via cos) ¶ [no comments]
2006/10/6
"Poor Aim: Love Songs", an EP by US indie electropop band The Blow, is available for free download (in MP3 format) from the K Records web site. This offer is valid until the 24th of October, when their new album, Paper Television, is officially released. The EP is fairly good (it's somewhere between Talkshow Boy and Pony Up!), so grab it.
2006/8/26
Swedesplease, a MP3 blog dedicated to Swedish music, has a pretty nifty electro version of "We're From Barcelona", by someone named Adventure Kid. Check it out.
(In case you haven't heard the original, it's on I'm From Barcelona's MySpace page; it's incredibly catchy, and perhaps the singalong anthem of the year.
(via the Spiral Scratch DJ) ¶ [no comments]
2006/8/25
The indie-mp3 blog has just posted some demos by Another Sunny Day, the Sarah Records indie-pop project best known for You Should All Be Murdered. They're rather lo-fi, though interesting enough, and there are some decent songs there. The blog also claims to have some Field Mice demos which they will be posting shortly.
(via indie-mp3) ¶ [no comments]
2006/7/17
The indie-mp3 blog appears to be running a Sarah Records retrospective, including MP3s. The first item is, naturally, Sarah 001, or The Sea Urchins' classic floor-filler Pristine Christine.
(via cos) ¶ [no comments]
2006/7/10
The results of indie-mp3's C06 contest are in: behold the C06 compilation; 24 tracks, each of which was recorded in the past year or so and made available online as a MP3 file:
01 - The Love Letter Band - This World Is Not My HomeIt sounds somewhat more polished than C86; perhaps because technology has moved on to the point where sounding lo-fi is an aesthetic choice rather than a technological limitation. Most of the songs on this compilation are electric-guitar-based, and fall into the broad "indie-pop" tradition, sounding not unlike a 7" single recorded in the north of Britain in 1988 or so, or possibly like a more polished version thereof. The Apple Orchard and Celestial sound like lesser-known Sarah Records bands, and A Place To Bury Strangers start off like a more lo-fi My Bloody Valentine, or perhaps Secret Shine, while Sarandon do their best impression of the skronkyness on the original C86. Meanwhile, the Love Letter Band have gone a lot more folky/countryish since I last heard them ("Even The Pretty Girls Take Medicine").
02 - Mon Fio - Alexis
03 - Apple Orchard - A Hiding Smile
04 - Celestial - Dream On
05 - Santa Dog - Rosa
06 - Umlaut - Lea Green
07 - A Place To Bury Strangers - Dont Think Lover
08 - Chuzzlewit - Verga
09 - Loveninjas - Keep Your Love
10 - Rocket Punch - Pink Cashmere
11 - Shrugged - Tattooed Heart
12 - Crumb - Follow Me Home
13 - Pelle Carlberg - Clever Girls
14 - Compute - Every Chance
15 - Bib - I Wanna Be A Better
16 - Bobby Baby - Lucky Moments
17 - Goof - Dancing Shoes
18 - Sarandon - Meet Warren
19 - Bubblegum Lemonade - Tyler
20 - Michael Knight - Waves To The Shore
21 - The Sweethearts - Into The Woods
22 - The Factory Owners - Elephants Mean Death
23 - Cowboy X - Gabbi
24 - Math And Physics Club - Movie Ending Romance
The compilation isn't all neo-C86 jangle-pop traditionalism; towards the end, it makes a concession to it being 2006, as the jangly-guitar/bass/handclaps formula gives way to more contemporary electronic sounds, with artists such as Compute and Bib combining synthpop sequencers with indie-pop sounds; meanwhile, Bobby Baby bringing a rather nice piece of understated folktronica to the project, and Cowboy X contributes some crunchy electro-pop not a world away from Ladytron or someone.
(via cos) ¶ [1 comment]
2006/6/11
The Indie MP3 blog is calling for submissions for its own C06 compilation:
The rules are:There is also a competition to design the sleeve of C06. Entries for both close on the 30th.
1) the track has to have been released in 2005 or 2006
2) It must be a free and legal download such as a band site, my space, music download.com etc
3) one track only per respondent
4) a link to the file and website must be provided
(via cos) ¶ [no comments]
2006/6/5
This chap has produced cover versions of Pixies songs done in the styles of other famous artists, mostly predating the Pixies. Hear "Wave Of Mutilation" done as Bee Gees-style '70s soft-soul, "Hey" through the lens of Prince's falsetto electro funk, "Monkey Gone To Heaven" crooned by Frank Sinatra (in front of a live audience in Atlantic City or somewhere), and others by Elvis, Jimi Hendrix, Bob Marley, Tina Turner and the Beach Boys.
(via
gths) ¶ [no comments]
2006/5/11
1990s shoegazer band Secret Shine (who were fellow Bristolians Sarah Records' foray into the Scene That Celebrated Itself) are back. They have a web site, a new EP (which is said to be pretty good), and have put up MP3s from one of their live gigs for the downloading. For those who want to catch them live, they're going to be doing a few gigs, including one at London's Club AC30 in July and a few US dates later in the year.
(via indie-mp3) ¶ [no comments]
2005/11/25
This site will be linking to a different Creative Commons-licensed song for every day of the next year:
Many of the artists available under the Creative Commons are just as good as anything you might hear on plain 'ol everyday terrestrial radio. So "what's the difference" you say? What is the difference between the artists you hear every day and the artists you'll find under the Creative Commons?
Plain and simple, the artists you hear every day, many of them very talented, have the backing of the Major Record Labels. Sony, EMI, Warner and Universal, spend millions of dollars every year, and work really, really, really hard to make sure you hear the music they are selling. They have the collective power of giants.
No, they can’t manufacture hit records. The public is a fickle beast, a ‘hit’ is a combination of marketing and the public’s will to succomb to that marketing. What they can do, is pick a big handfull of bands, throw them all at the virtual public wall, and hope something ’sticks’. And for the 100 - 200 acts a year that are lucky enough to get this big shotgun launch, out of the thousands per year that are signed by record labels, out of those thousands emerge tens. Tens of acts that will make top 40 radio what it is this year.
But what of those thousands of other acts? Well, the record label still owns the rights to their music. They can’t promote it themselves, without the lion’s share of the profits from that promotion going directly into the hands of those same record companies that failed to promote them. They signed a contract, they got a ‘deal’, the dream of all musicians who just want to pursue their art and make a living, they got the golden record deal.
CC:365 exists to showcase those that went the other way. We are here, quite simply, to turn you , the music listener on to some of the greatest music floating around the internet today.
(via xrrf) ¶ [no comments]
2005/10/21
The track that Jarvis Cocker and two members of Radiohead recorded for the upcoming Harry Potter film has been posted online; and it does sound like a more cartoonish Franz Ferdinand or something.
(via ILX) ¶ [1 comment]
2005/9/4
Hard Pop artist Talkshow Boy has released his most recent album in MP3 format, under a Creative Commons license. Watch Me As I Perform My Own Tracheotomy was recorded in 2004 and languished in record-label funding limbo for a while; it features some great tunes including Chiming The Descant Like I'm Thirteen Again, Freaky Teen Fashion - Time For A Makeover! and OMG I <3 LiveJournal (And My LiveJournal <3s Me). Those who liked Ice Police (which is may also be downloaded from here) and fans of the likes of Le Tigre, Kid606 and 14 Year Old Girls may like this.
2005/7/29
MP3s of indie bands covering well-known songs; includes covers of Whitney Houston, Kylie Minogue, ABBA, Ace of Base and various R&B/rap artists, by the likes of The Flaming Lips, The Mountain Goats, Belle & Sebastian, and some bloke named Ben Gibbard who gets featured twice. Interesting that they have covers of REM and the Yeah Yeah Yeahs, but omit covers of The Smiths and Talking Heads.
(via
substitute) ¶ [3 comments]
2005/7/28
C86, a compilation tape released in 1986 by NME (then a more leftfield, not to mention left-leaning, paper than the meretricious publication we see today) ended up giving a name to a whole genre of shambolic, wet jangle-pop and influencing everything from Sarah Records to Belle & Sebastian to commercial alternative music, is now online in downloadable MP3 form. I can recommend Primal Scream's Velocity Girl, The Bodines' Therese, the Shop Assistants' It's Up To You and the surreal head trip that is Stump's Buffalo. The Half Man Half Biscuit track isn't bad either, though, not having grown up in England in the 1980s, I don't get the references. Actually, you may as well get the whole lot and make up your own mind.
As someone pointed out in the comments, it's about time someone put up the preceding NME cassette, C81, which features significant post-punk/new-pop artists such as Pere Ubu, Orange Juice, Aztec Camera, Cabaret Voltaire and the Buzzcocks.
And what is today's answer to C81 and C86? Well, don't look to anything quite so groundbreaking NME for it; the closest they'd give you would be things like NME Britpack, with the latest watered-down, sharp-suited Gang Of Four/Duran Duran copyists, tediously derivative retro-rockists like Razorlight and Yourcodenameis:Milo and, of course, Dionysiac Genius of Rock, Pete Doherty.
(via sweepingthenation) ¶ [5 comments]
2005/7/12
Recording company bosses are livid after the BBC makes MP3s of Beethoven's symphonies available for downloading:
Managing director of the Naxos label, Anthony Anderson, said: "I think there is a question of whether a publicly funded broadcaster should be doing this and there is the obvious issue that it is devaluing the perceived value of music. You are also leading the public to think that it is fine to download and own these files for nothing."Of course, the value of music that the label executives are so valiantly defending is not its use value (how much enjoyment it can bring) but its exchange value (how useful it is as a currency).
In today's dominant ideology of Reaganite-Thatcherite monetarism, where the key participants are corporations (beings incapable of actually experiencing the use value of art) and humans are merely the microorganisms in their guts, art is primarily currency; any subjective artistic or aesthetic value is secondary. Scarcity is essential to the value of a currency, and any loss of scarcity damages that value. Which is why copying is seen not as cultural cross-pollination but as equivalent to currency counterfeiting, making music available for free, even when legal, is considered unethical.
(via techdirt) ¶ [no comments]
2005/4/15
Edits of NWA's Straight Outta Compton and Fuck Tha Police with everything but the obscenities removed. Comedy gold.
(via
substitute) ¶ [no comments]
2005/4/9
Irony of the day: the anthem of Communism, The Internationale is copyrighted; a filmmaker in France is being shaken down for US$1,283 for having someone whistle the song without permission in one of his films.
Under French law, "The Internationale" won't fall into the public domain until 2014 70 years of post-mortem protection plus extra time to cover the world war. Degeyter died in 1932.
(Via bOING bOING, who point out that there's (a fragment of) a decent electropop version of The Internationale here. Funnily enough, a while ago, I thought that a happy-hardcore/doof/indie-dance version, with some dude rapping about dialectic materialism in the middle, would work well at the numerous anti-capitalism rallies the lefties kept having before 9/11.)
(via bOING bOING) ¶ [6 comments]
2005/3/16
A recent post on the Scenestars MP3 blog features Romeo Void's "Never Say Never"; a classic piece of early-80s new-wave dance. If you haven't heard it, check it out.
2005/2/25
The Scissor Sisters cover Franz Ferdinand's Take Me Out, giving it the '70s-Elton-John treatment, live on radio. (low-bit-rate MP3). Let the it-band love-in begin. (via here)
Also recently on the Net, a symphonic darkwave/trip-hop cover of Pet Shop Boys' West End Girls from London rivethead muso Deathboy (MP3). It's pretty good, and manages to steer well clear of the bad industriogothic cliches.
2005/2/17
Moby (yes, the purveyor of bland wallpaper music for the upwardly mobile and darling of advertising agencies everywhere) has a cover of New Order's Temptation; and it's actually not bad. Somewhat slower and sparser than the original, and almost jumping on the glitchgazer bandwagon (i.e., he's found the Bitcrusher plug-in). It's better than most New Order covers I've heard (though a lot of them are shockingly bad), and not too unlike his take on OMD's Souvenir.
2005/2/15
2005/1/30
Here you will find an electroclash cover of Joy Division's She's Lost Control, with vocals by Siobhan Fahey. It's credited to "Agent Provocateur", which is not the name of a new Client/Adult-style electrocoolsie duo, but actually refers to the British lingerie chain, who apparently commissioned it as a promotional item or somesuch.
Which takes the idea of corporations as authors and music as a work for hire to a new level. Well, not entirely; apparently, one of the biggest pop groups in Thailand a few years ago was an enterprise owned and operated by PepsiCo., with musicians, songwriters and personnel hired by corporate managers, and then there was the extended mix of that Coca-Cola jingle which was in the charts in the 1990s. Or perhaps it's more like sponsorship; the track has no references to the brand or lingerie (though could perhaps be a suitable soundtrack to BDSM games whilst wearing such), and sounds much like the usual sort of hard-edged electrohouse you'd hear in Prahran or Hoxton or wherever the beautiful people congregate in their punk-themed designer clothes.