The Null Device

The Rudd government wants to overhaul Australia's image abroad, ditching the traditional images of bronzed Aussies drinking beer on beaches and cheesy strine colloquialisms like "where the bloody hell are you?", so favoured by the traditionalist former government, in favour of a new campaign promoting Australia as "a mature, creative, innovative society". (Those drawing parallels between Rudd and the early days of the Blair government in Britain will see echoes of Blair's "Cool Britannia" here.) Anyway, a number of ad agencies and magazines have had a go at coming up with ideas:

The Sydney Magazine approached a few advertising companies for inspiration. One of them came up with the slogan "Sydney. Proudly UnAustralian".. It features that great staple of Australian tourist brochures, the Sydney Opera House, but with a twist - it's white-tiled roof is emblazoned with the words "NO WAR" in bright red paint. Another image features two butch rugby players locked in a passionate embrace.

"Sydney, it's a bit like London. Classic Museums, Rich History, Hyde Park, Paddington, the Queen on Our Coin. It's just lacking the miserable weather, miserable people, pasty faces, snobby bitches, soggy chips, warm beer, cold winters, teens pushing prams, lager louts, slappers, geezers, madcow diseases."

¶ australia culture war marketing stereotypes [1 comment]

New market research has revealed that Mac users are snobs, upper-income-bracket elitist aspirational types who see themselves as better than the PC-using rabble, while, seen from the other side, PC users are cheapskates.

Meanwhile, a filmmaker has made a documentary about the intense loyalty Maccies feel to their brand, which bears out some of the findings:

Violet Blue, a popular blogger and sex columnist for the San Francisco Chronicle, who also features in the film, says: "First of all, I've never knowingly slept with a Windows users ... that would never, ever happen."

The intellectual is not one of us. We are ordinary folks, he is a member of an elite. We gravitate around right wing ideas, he's left-leaning. We're family people, he screws men, women and children. We farm, he stays in the city, with his intellectual elite, or on campus, corrupting the minds of our youth. We're religious, but the intellectual is an unbeliever. We run to fat, he stays thin. We're patriots, he's a cosmopolitan, equally at home with foreigners as with his own kind. He puts loyalty to ideas before loyalty to his people. We have the church, he has the liberal media.

¶ anti-intellectualism apple culture culture war mac maccies marketing microsoft stereotypes survival values the long siege you don't say? [3 comments]

Stuff White People Like ("white people" here meaning "white upper-middle-class Americans"). Includes entries for things like "sushi", "indie music" (and "standing still at concerts"), "Wes Anderson", "Michel Gondry", "Apple products" "not having a TV", "irony", "travelling", "coffee" and "tea", all delivered with a good dose of sarcasm:

So when white people go to concerts at smaller venues, what to do they do? They stand still! This is an important part of white concert going as it enables you to focus on the music, and it will prevent drawing excess attention to you. Remember, at a concert everyone is watching you just waiting for you to try to start dancing. Then they will make fun of you. The result is Belle and Sebastian concerts that essentially looks more like a disorganized line of people than a music event.

White people love to be near a body of water so they can read a book, while sitting nearby. The process of reading is somehow heightened through the process of doing it near some water. Extreme reading!

White people cannot get enough of 80s music, partially out of nostalgia, and partially since it was the last time that pop music wasn’t infused with hip-hop or R n’ B stylings. Artists like Joy Division, New Order and Elvis Costello were all pretty well respected and had solid runs at the charts. Also, less respected artists like Wham, Rick Astley and Cameo are still easy for white people to dance to.

If you find yourself in a situation with a white person, acceptable things to say include “I’m really into tea right now,” or “my favorite thing is to get a nice cup of tea and curl up in a chair with a good book.” But do not remind them about the role of colonialism in tea, it will make them feel sad.

(via Bowlie) ¶ class culture humour race sarcasm stereotypes whiteness [3 comments]

The latest commentator to attempt to nail the essence of Englishness is expatriate Frenchwoman Hortense de Monplaisir, currently resident off Fulham Road, as her husband is a grosse légume in the City:

There is a famous crêperie on the King’s Road. (We love crêpes, as we have kept in touch with simple pleasures.) As lumpen doughy pancakes were brought to the table with a pitiful garnish of anaemic lettuce and flavourless tomatoes, I wept. I gazed out at the rain and said: “I cannot do this.” My husband held my hand and looked quite wretched.

Having no talent for sex (or food), the English make a virtue of their deficiencies. What they really enjoy is going without. Rather than leave the office for a delicious lunch, they will pull out a Tupper-ware box of sandwiches. Instead of a soirée sensuelle, candlelit dinner followed by a night of love, they’ll go to the country to strip wallpaper, walk in the rain and sleep in a freezing cold bed.

In France, we are wary of the marchands de biens, dealers who buy and sell houses for profit, but in England everyone is a marchand de bien. The property ladder is the very essence of Englishness: a fusion of greedy profiteering and stay-at-home cosiness.

¶ culture englishness frenchness stereotypes [1 comment]

As the Australian election approaches (capsule summary: the Tories look set to be wiped out, much as they did in the previous two elections), the ABC's Bob Ellis (presumably a leftwinger who evaded the purges) claims that Rupert Murdoch's polling organisation manipulates its own results by timing its polls, technically without actually doing anything fraudulent:

Newspoll is not called 'the Fox News of statistics' for nothing. Like Fox News, it serves Rupert Murdoch. Like Bill O'Reilly, it tells him what he wants to hear. And what does Rupert Murdoch want to hear? Well, that the voters are very volatile, for one thing. The Labor numbers go up to 58 before the Great Debate, then down to 54 after it. On the weekend when, in the greatest gatherings in human history, the West protests against the Iraq war, and it's known that most Australians oppose it, the vote for Howard goes up. When he's found to have lied about Children Overboard, the vote for Howard goes up. When Howard seems on his last legs, he gets the good news he needs. From Newspoll, the preferred Murdoch pollster.

And like Newspoll you ring no mobile phones, thus eliminating or minimising, the Labor-leaning, or Green-leaning, under-38s. Like Newspoll you ring homes on Friday night, when the under-38s aren't home, but the old, the ill, the friendless, the poor and the mad are, the Howard battlers, the Menzies limpets, the One Nation crazies in socks and sandals. And you make them one-third of your figure.

How is I know, or I suspect, this is what they do? Well, I noticed the Labor vote always plummets, according to Newspoll, at the beginning of the Christmas holidays, and soars at the end of them, and it has for the last ten years. Is this because people think of John Howard over the plum pudding and decide that they love him? No. It's because the Labor vote, or the prosperous, educated Labor vote, aren't home. They're at the Sydney Festival or on a boat on the Hawkesbury or in a hotel in Byron Bay or a pensione in Venice whereas the old, the ill, the friendless, the poor and the mad are at home, as usual, waiting for Newspoll to engage them in detailed conversation. And so it is the Labor vote goes down at Christmas, and up again after Australia Day.

(via The Poll Bludger) ¶ australia murdoch politics propaganda statistics stereotypes [no comments]

There's an opinion piece in The Age's blogs about how the rest of the world is sick of travelling Australians, who, after long years of being regarded as lovable, are getting a reputation as the "New Yanks":

Firstly, we're suffering from a serious case of overexposure. The fact that Australia is so far away from anywhere else used to mean that not many of us made it to foreign shores. Now, not only do we have air travel, but we have extremely cheap air travel, meaning that any wanker who can manage to scrape together a few hundred dollars can go and prop up the tittie bar industry in Phuket for a week or so.

We're now seen as the arrogant, loud twats who complain when everything's different to how it is back home. Australians always had a reputation for liking a party, but now we're the obnoxious drunks, abusing the bar staff because their English sucks, whingeing that we'd kill for a Carlton Draught instead of this crap we're being forced to drink.

Another reason for Australia's declining image could be its politics. Whilst Australia has traditionally been such a minor player on the international stage to evade notice, the present government's determination to be a cheerleader for everything that pisses off liberals, from the Iraq war to blocking the Kyoto protocol, may have created an impression of Australia as the Big Red State Down Under. And then there is the rise of a rather ugly strain of muscular nationalism among young Australians these days (witness all the flag-waving, the stereotyped chants of "Aussie Aussie Aussie, Oi Oi Oi" — incidentally, is there a more aggressively mindless national slogan anywhere? — and other generally boorish behaviour), which may be a cultural artefact of the Howard Culture War and the vanquishment of the more thoughtful (if sometimes woolly) liberal/cosmopolitan Whitlamite values of the previous few decades by an atavistic right-wing jingoism — the values of idiot certainty backed with force.

But yes, here in London, the stereotype of an Australian about town seems to involve drinking vodka by the bottle, cracking onto every available-looking female, talking loudly about how much everything is better in God's Own Country, and passing out in one's own vomit in the gutter outside Walkabout at 3am.

Meanwhile, readers have posted their own anecdotes about Ugly Australians to the article:

As an aussie living in London, I find nothing more embarassing than walking past the pub on my local high street (the slug and lettuce in fulham for any fellow londonites- aka the 'sl*ts and legless') where any night of the week you'll find it packed by 8pm with slaughtered aussies singing along to ac/dc, bryan adams or - way too frequently- country roads drinking snakebite and black (lager, cider and blackcurrant cordial). You'll also find the aussie bar maids and mates will stand up on the bar with their tops off on regular occassions. And people wonder why we're getting a bad rep abroad...?

I agree completely... My friend from Montreal started calling us 'pigeons' because we are everywhere... not that like the comparison but I would have to agree with him.

As I read this article I was having flashbacks of living in the Lakes District and attending an Australians-only party (shows how good we really are at assimilating). One of the head honcho Aussie jocks was running around the village with an Australian flag draped over his shoulders and a plush crocodile under an arm, shouting 'Crikey!' to the unimpressed townsfolk.

As a long-term Londoner I have to fully agree with Damien that John Howard has done more to harm the image of Australians than any drunk in Earl's Court or Shepherd's Bush. He has made Australia so isolated with his unquestioning (and unthinking) blind allegiance to Gerorge W. and his attacks on basic human rights that Europeans now believe that Australians care about nobody but themselves. Until you guys vote John Howard out and rejoin the rest of the world nobody wants you!

Then the Londoner finishes his drink, and says, "in London, we've got so many Australians and South Africans, we never need to drink with the same ones twice." And with that, he pulls out a gun and shoots them.

¶ australia bogans culture culture war dickheads jingoism nationalism stereotypes [2 comments]

In Australia, the Pom Anti-Defamation League has succeeded in getting a beer advertising campaign pulled that negatively stereotyped the English. The campaign in question, for Toohey's, played on negative stereotypes of the English ("Poms") as inveterate complainers with a phobia of cold beer, and apparently did so a bit too mean-spiritedly:

The radio advertisement for Tooheys brewery and its New Supercold beer employed a group of Englishmen to sing the tune of Land of Hope and Glory using various synonyms for whinge, including whine, moan, slag and complain.

His group also contested another version of the advert that had been made for television audiences. It featured footage of an overweight, pale man, wearing a Union Jack T-shirt, cringing in fear at the offer of a cold beer. The advert was withdrawn before the action against it could proceed.

¶ advertising australia culture english poms stereotypes uk [no comments]

Writing in the Graun, comedian Stewart Lee examines the foundations of the stereotype that the Germans don't have a sense of humour; he finds that it comes from the structure of the German language making certain types of humorous devices impossible:

At a rough estimate, half of what we find amusing involves using little linguistic tricks to conceal the subject of our sentences until the last possible moment, so that it appears we are talking about something else. For example, it is possible to imagine any number of British stand-ups concluding a bit with something structurally similar to the following, "I was sitting there, minding my own business, naked, smeared with salad dressing and lowing like an ox ... and then I got off the bus." We laugh, hopefully, because the behaviour described would be inappropriate on a bus, but we had assumed it was taking place either in private or perhaps at some kind of sex club, because the word "bus" was withheld from us.

But German will not always allow you to shunt the key word to the end of the sentence to achieve this failsafe laugh. After spending weeks struggling with the rigours of the German language's far less flexible sentence structures to achieve the endless succession of "pull back and reveals" that constitute much English language humour, the idea of our comedic superiority soon begins to fade. It is a mansion built on sand.

The German phenomenon of compound words also serves to confound the English sense of humour. In English there are many words that have double or even triple meanings, and whole sitcom plot structures have been built on the confusion that arises from deploying these words at choice moments. Once again, German denies us this easy option. There is less room for doubt in German because of the language's infinitely extendable compound words. In English we surround a noun with adjectives to try to clarify it. In German, they merely bolt more words on to an existing word. Thus a federal constitutional court, which in English exists as three weak fragments, becomes Bundesverfassungsgericht, a vast impregnable structure that is difficult to penetrate linguistically, like that Nazi castle in Where Eagles Dare. The German language provides fully functional clarity. English humour thrives on confusion.

Third, for the smutty British comic writers, it seemed difficult to find a middle-ground between scientifically precise language describing sexual and bodily functions, and outright obscenity. There seemed to be no nuanced, nudge-nudge no-man's land, where English comic sensibilities and German logic could meet on Christmas Day and kick around a few dirty jokes in a cheeky, Carry On-style way. A German theatre director explained that this was because the Germans did not find the human body smutty or funny, due to all attending mixed saunas from an early age.

¶ culture german germany humour stereotypes [no comments]

A writer has worked out the 25 unwritten rules of advertising:

1. Men are obsessed with sex but will forego sex in order to watch football or drink beer.

2. Women are locked in a constant battle with their weight/body shape/hairstyle.

13. Both men and women find driving deeply pleasurable, never boring or stressful.

14. Men are inherently lazy/slobbish; women are the reverse.

15. Chocolate, however, will cause women to immediately fall into the languor of the opium eater.

19. Professional people have strangely trivial preoccupations, e.g. a female barrister who is morbidly obsessed with finding a healthy snack bar.

23. Women never merely hop in and out of the shower, instead preferring to act out some sort of soapy Dance of the Seven Veils.

¶ advertising culture stereotypes [no comments]

Several matrices describing what different European tribes think of each other; taken from this vaguely cocaine-tinged piece from eXile (which is sort of like a Moscow-based VICE).

And then there's How To Find A Man In Europe And Leave Him There, an American girl's guide to European men, loaded with facile stereotypes (not least of all being that of its intended target audience).

(via MeFi) ¶ europe exile hate stereotypes [no comments]

Gwen Stefani, that Madonna of major-label pop-punk, has taken a liking to Japanese teen street fashion. And, being a savvy commodified-rebellion entrepreneur, she has appropriated this phenomenon and redigested it into a commercially viable cliché, by hiring four Asian women to dress like Harajuku hipsters and follow her around, contractually prohibited from speaking anything but Japanese:

They shadow her wherever she goes. They're on the cover of the album, they appear behind her on the red carpet, she even dedicates a track, "Harajuku Girls," to them. In interviews, they silently vogue in the background like living props; she, meanwhile, likes to pretend that they're not real but only a figment of her imagination. They're ever present in her videos and performances -- swabbing the deck aboard the pirate ship, squatting gangsta style in a high school gym while pumping their butts up and down, simpering behind fluttering hands or bowing to Stefani. That's right, bowing. Not even from the waist, but on the ground in a "we're not worthy, we're not worthy" pose. She's taken Tokyo hipsters, sucked them dry of all their street cred, and turned them into China dolls.

Stefani fawns over harajuku style in her lyrics, but her appropriation of this subculture makes about as much sense as the Gap selling Anarchy T-shirts; she's swallowed a subversive youth culture in Japan and barfed up another image of submissive giggling Asian women. While aping a style that's suppose to be about individuality and personal expression, Stefani ends up being the only one who stands out.

The article in question goes on to excoriate other Western stereotypes of Japanese culture, from Tarantino's killer schoolgirl to Peter Carey's confession of cluelessness, "Wrong About Japan".

(via tyrsalvia) ¶ commodification gwen stefani harajuku stereotypes [1 comment]

A look at the stigma attached to women keeping cats. After all, everybody knows that people who keep cats are emotional basketcases; normal, healthy people either keep dogs (a proper, well-adjusted person's pet) or fish (which are more of a hobby than a pet) or don't need the emotional crutch of keeping animals:

Supposedly, to look into the female singleton's trolley is to gaze upon human despair in its purest form. The meals-for-one, the glossy magazines shrieking their self-help messages so loudly people three aisles away can hear, those furtive bars of high-quality chocolate brought as a substitute for the low-quality sex they were having before they decided enough was enough. All these items could be exhibited as evidence in the socio-emotional kangaroo courts that even today persist in judging the solitary female as worthless and hopeless simply because she is mate-less. However, the real clincher is the six-pack of top-of-the-range cat food. A kilo of heroin couldn't be more socially incriminating.

Militantly anti-cat Melanie Reid wrote recently; "Feminism has been blamed for many things but there is no doubt that it is also partly responsible for the rise of the cat."

It's very easy to deal with boyfriends who complain you treat your cat better than you do them. Just say: "Once you've produced evidence that an ancient civilisation worshipped you, then perhaps we'll talk." It could even be argued that some men end up being very poor cat substitutes. ("I just couldn't meet the right cat so I decided to have a relationship instead.")

The article also has a list of famous cat-haters, including William Shakespeare and King Louis XIV. They left John Ashcroft off the list.

Btw, what about men who keep/prefer cats; are we they also considered to be psychological liabilities, or perhaps cat-fanciers are Not Real Men (see also: vegetarians, Belle & Sebastian fans, non-followers of sports teams)?

¶ cats psychology society stereotypes [3 comments]

What would a car designed by women for women be like? Possibly something like a new Volvo concept car, with ponytail ports in the headrests, easily removable non-shrink seat covers and no bonnet:

The project team thought women would never want to look at the engine, so the front end is designed to come off in one piece at the workshop.

Suggestions that did not make the cut included an on-board cappuccino maker and foot supports for high-heeled shoes.

¶ bizarre cars clichés stereotypes volvo women [no comments]

Film critic Lawrie Zion on the malaise afflicting recent Australian film; in particular, about recent films sticking to the theme of true-blue-dinky-di-Aussie-battlers vs. the evil forces of change:

What makes the recent Australian crop distinctive, however, is the way that even relatively sophisticated fare such as The Bank resorts to a one-dimensional character when it brings on its American villain. Accordingly, Anthony La Paglia, who gave us such a refreshingly understated performance in Lantana (2001), is reduced to a cardboard cut-out portrayal of slimy greed in The Bank. By contrast, the key American character in The Dish, played by Patrick Warburton, is given a chance to establish himself as a fully developed character, which not only provides the film with a less blinkered view of national "types", but also allows its "culture clash" moment to become something more interesting than a showdown between good and evil.

More troubling, still, with films such as Take Away is the way that Australians themselves are portrayed on the screen as naive and dim survivors of a laconic but cloistered culture that simply can't deal with change (though some might argue that this is a very accurate description of Australia in 2003).

Underdog motif or not, I can't recall having seen a recent Australian film where the characters weren't one-dimensional caricatures. More often than not, the actors (some of whom are footballers, comedians or both) ham up their performance, exaggerating the characters. Sometimes you even see them mugging at the camera after letting loose what they think is a devastatingly witty one-liner, as if giving the drongos in the audience the cue to laugh. It seems like so many Australian films are the bastard offspring of Hey Dad and the 10BA tax dodge.

Even in films which do not descend to this nadir, the film is usually slathered in Miracle Ingredient A, using its Australianness to sell an otherwise conventional story and one-dimensional characterisation to audiences looking for an alternative, however shoddy, to the McWorld monoculture from Hollywood. (Which is not unlike the plot of a recent Australian comedy, in fact, but I digress.) They don't see the films for quality, except in the "see, our sets/cinematography/special effects can be every bit as technically slick as American movies" sense, but for Australianness.

Which makes me wonder why Australia doesn't produce filmmakers like Canada (which gave us Vincenzo "Cypher" Natali and David Cronenberg) or Britain (too many to name). Surely it can't be a lack of talent. Perhaps the local market just doesn't encourage such innovation at anything above the Tropfest level?

¶ anti-americanism australia culture film lowbrow miracle ingredient a stereotypes usa [11 comments]

Today's Onion has some great stories, including No One Makes It To Burning Man, Horrified Teen Stumbles Upon Divorced Mom's Personal Ad (heh!), and the very insightful Graphic Artist Carefully Assigns Ethnicities to Anthropomorphic Recyclables:

Added Bellisle: "That brings another problem to light: If you include one woman in the mix, no one cares what race she is. As if one female recycling drum can represent female recycling drums of all races, but male recyclables deserve further distinction."

Drawing friendly, nondescript male characters is not the answer, said Bellisle. "Look at this grinning soda can giving the thumbs-up here," she said. "Everyone subconsciously assumes it's a Caucasian male."

"I have no idea how to make the plastic milk jug look gay," Bellisle said. "I don't want to make him a bottle of water, for obvious reasons. Maybe I'll use a soy-milk container when I draw the gay jug. Or maybe they'll let me switch him with the Chicano, this tin can here.

Unfortunately, though, the Onion seem to have switched their system so that the URLs of stories become invalid after the current week, thus reducing their bloggability. Which sucks.

¶ marketing political correctness stereotypes the onion [no comments]

Anti-virus consultancy Sophos Plc has released a profile of virus writers: they are male, obsessed with computers, 14-34, and chronically lacking a girlfriend. (via Techdirt)

(It also looks like another instance of the assumption that anyone who isn't usually in a sexual relationship is some sort of sociopathic freak. Soon not having a girlfriend will be probable cause for search and seizure. Hey, the 9/11 hijackers didn't have girlfriends either.)

(And shouldn't that be "chronically lacking a girlfriend or an interest in comic books/record collecting/trainspotting"?)

¶ geek relationships stereotypes viruses [no comments]

From my SpamCop filter:

[5028] yourcrush@someonelikesyou.com (You're someone's American Idol _Preview_ )

That's funny, because last time I checked, I wasn't American.

That's one of the annoying things about spam; other than assuming that you're a financially bankrupt sexually depraved narcissist, most of it assumes that you're (a) American, or (b) fluent in Spanish, Chinese or Korean. I suppose if someone's already a bottom-feeding scumbag, there's no point in them weeding out the obviously inappropriate addresses. After all, it's not like it's their own network bandwidth they're wasting. Hell, why not? Who says there isn't at least one gullible Sino-Argentino-American pornhound somewhere in the .aq domain?

Oh, and if you're the one who has been submitting my address to those "someone has a crush on you" websites, don't bother; I don't feed them. (Given that they're a scam for harvesting email addresses for spamming, for one.) (In fact, if you've developed a crush on someone just by reading their blog, I suggest that you see your mental health professional.)

¶ spam stereotypes [3 comments]

If one good thing was to come out of the (alleged) current anti-French mood in the US it would be that Marcel guy in Linux Journal toning down his corny "French chef" act. Though, as of the "March 2003" issue, it doesn't seem to have happened.

¶ annoyances france linux journal media stereotypes [no comments]

European journalist Timothy Garton Ash's survey of anti-Europeanism in America; Europeans are seen as "EU-nuchs" or "cheese-eating surrender monkeys"; cowardly, amoral, godless, unprincipled, weak, effeminate, petulant, hypocritical, anti-Semitic, of poor personal hygiene and monumentally ungrateful for America constantly saving their asses: (via Graham)

A study should be written on the sexual imagery of these stereotypes. If anti-American Europeans see "the Americans" as bullying cowboys, anti-European Americans see "the Europeans" as limp-wristed pansies... The sexual imagery even creeps into a more sophisticated account of AmericanEuropean differences, in an already influential Policy Review article by Robert Kagan of the Carnegie Endowment for Peace entitled "Power and Weakness."[3] "Americans are from Mars," writes Kagan approvingly, "and Europeans are from Venus"echoing that famous book about relations between men and women, Men Are from Mars, Women Are from Venus.

Anti-Americanism and anti-Europeanism are at opposite ends of the political scale. European anti-Americanism is mainly to be found on the left, American anti-Europeanism on the right. The most outspoken American Euro-bashers are neoconservatives using the same sort of combative rhetoric they have habitually deployed against American liberals. In fact, as Jonah Goldberg himself acknowledged to me, "the Europeans" are also a stalking-horse for liberals. So, I asked him, was Bill Clinton a European? "Yes," said Goldberg, "or at least, Clinton thinks like a European."

(Meanwhile, Tony Blair is seen as a honorary American, or at least as a member of the US State Department, and trying to tow Britain across the Atlantic, as it were. Already the renowned New Labour spin doctors who created "Cool Brittannia" are working with the Whitehouse to sell "Brand USA" to a skeptical (and Europeanised) British public. The modest proposal of a few years back that Britain leave the EU and join the United States is looking somewhat less absurd.)

¶ culture war europe stereotypes usa [no comments]

Read: The curse of coffee-table cinema, or how thanks to Disney's Miramax unit, much of "art-house" cinema is now formulaic, content-free soft-focus schmaltz designed to flatter viewers' sense of culture in a mindless sort of way.

Miramax has given the world a host of cliches about European culture - naughty French priests, macho Greeks, hoity-toity Englishmen, zany Italians - and has reduced human complexity to a bunch of hopeless stereotypes bursting with sentiment.

(See also: Working Title, Merchant Ivory) (via FmH)

¶ art-house cinema clichés dumbing down film hollywood miramax stereotypes working title [1 comment]

An interesting article about the next generation of female hackers, and how they are challenging stereotypes (like the ones which say that they don't exist, or that they're all web designers or somesuch):

Gweeds, one of Marcelo's male hacker friends, confirms this. He wants to see more women hackers, and he tells me excitedly about an all-female-authored distribution of the operating system Linux called Cervix. "I like the idea of Cervix, because it says that girls can do this," he added. "It's like an all-girl band."

(via rotten.com)

¶ diy gender hackers riot grrl riot nrrd stereotypes women [no comments]

Amusing quote from NME: "Despite the lingering suspicion that they make music solely for graphic designers, Goldfrapp's art-hop is undeniably enchanting." (Actually, I do know one graphic designer who has the Goldfrapp album.)

¶ goldfrapp music nme stereotypes [no comments]