The Null Device

Data wonks at the social music-streaming site last.fm have been taking advantage of their vast repository of recorded music to correlate analyses of the music (made using cold, hard signal-processing algorithms, not anything more subjective or fuzzy) with data from sales charts, determining how the characteristics of popular music have changed in response to cultural trends. The results make for fascinating reading.

Among findings: by looking at how percussive tracks in the charts were (i.e., how strong and regular a rhythm they had, according to spectral analyses) they pretty much pinpoint the rise of disco in the mid-1970s, a change towards more strongly rhythmic tracks which has never been reversed:

Our first thought was that songwriters in the 80s must have turned on their drum machines, loved what they heard and wrote a song to that beat - without changing the default tempo setting of 120 bpm. I would love this to be correct, but I have a hunch that it's not, especially after having found this highly interesting manual for writing a hit single written by The KLF in 1988. They say that "the different styles in modern club records are usually clustered around certain BPM’s: 120 is the classic BPM for House music and its various variants, although it is beginning to creep up", and also, "no song with a BPM over 135 will ever have a chance of getting to Number One" because "the vast majority of regular club goers will not be able to dance to it and still look cool".

last.fm's DSP algorithms also pick out the rise of punk, with its simplistic rock'n'roll arrangements and emphasis on DIY enthusiasm over polished virtuosity, and the vanquishment of prog rock, glam and other more experimental genres; this manifested itself in a steep rise in the proportion of the charts occupied by records of low harmonic and timbre complexity (i.e., both simple melodic/chord structures and unostentatious selections of instruments) between 1976 and 1979, and map the Loudness Wars of the past few decades, as the rise of the CD and a competition for sounding louder and more kick-ass than all the music that came before conspired to annihilate dynamic range:

The percentage of loud tracks has increased from 10% in 1964 (by definition) to over 40% in recent years. So music has got louder. Well, isn't that in the spirit of Rock'n'Roll? Sadly, it isn't, because the increase in loudness has led to worse sound quality. Granted, it's louder, but boy is it flat!

¶ culture dance music data mining last.fm music punk rock'n'roll 0 Share

And in heritage rock news: archaeologists from York University have unearthed a fragment of Britain's cultural heritage: graffiti on the wall of a London flat shared by members of The Sex Pistols in the 1970s, including drawings believed to have been made by John Lydon:

"This is an important site, historically and archaeologically, for the material and evidence it contains. But should we retain it for the benefit of this and future generations?" they ask in a study of the drawings for Antiquity magazine.

¶ archaeology bizarre culture heritage rock punk uk wtf 2 Share

The Guardian's art correspondent Jonathan Jones argues that mainstream acceptance is killing street art; how what used to be an outlaw pursuit, charged with an edgy, subversive frisson, is now thoroughly commodified, exhibited in galleries, flogged en masse to tourists and posed alongside by centre-right politicians, fatally eroding what underground credibility it once had:

Visitors to London buy Banksy prints on canvas from street stalls, while in Tripoli photographers latch on to any bloke with a spray can near any wall that's still standing. Graffiti and street art have become instant – and slightly lazy – icons of everything our culture lauds, from youth to rebellion to making a fast buck from art.

Maybe there was a time when painting a wittily satirical or cheekily rude picture or comment on a wall was genuinely disruptive and shocking. That time is gone. Councils still do their bit to keep street art alive by occasionally obliterating it, and so confirming that it has edge. But basically it has been absorbed so deep into the mainstream that old folk who once railed at graffiti in their town are now more likely to have a Banksy book on their shelves than a collection of Giles cartoons.

¶ commodification culture punk street art uk 1 Share

Poly Styrene, the frontwoman of seminal 1970s teenage punk band X-Ray Specs, has passed away, aged 53. Styrene (real name: Marianne Elliot-Said) turned to punk rock in 1976, and managed to not only question the norms of bourgeois society and the modern condition but to subvert the macho orthodoxies of punk rock, and inspired a few generations of outspoken female rock'n'roll artists; were it not for her, punk would have been a less interesting phenomenon.

Styrene had finished a solo album, Generation Indigo, last year when she was diagnosed with cancer. There is an interview she did with the Guardian a month ago here.

¶ culture obituary poly styrene punk x-ray specs 0 Share

BBC Radio 4 has an interesting radio programme about the surprisingly extensive French influence on the punk movement. Alas, it's not downloadable, and may not be accessible outside of the UK, but the gist is that the oft-cited Anglocentric creation myth of punk—the movement having sprung fully formed from the loins of Sid Vicious and/or Malcolm McLaren somewhere on the King's Road, with possibly some reference to Iggy Pop and/or the New York Dolls—is very much incomplete; or, in the words of the presenter, Andrew Hussey, without France, punk would have just been pub rock with shorter hair.

The French influences on punk rock cited by Hussey and his interviewees (who include the members of French punk bands such as Stinky Toys and Metal Urbain, as well as an adjunct professor of punk and reggae at NYU) are multiple. A big one is French philosophy, particularly Situationism and Lettrism, but going back to various strains of romantic nihilism, Dada and the poetry of Rimbaud and Baudelaire. (French punks were less afraid of being intellectual than the English rockers of the time.) There was also a lot of cross-pollination between Paris and New York's art-rock scene (Patti Smith is an obvious name to mention here), not to mention precedence in earlier French popular culture, such as les Zazous, the black-clad, swing-dancing rebels who defied the Nazi occupation, and of whom one sees superficial echoes in everything from Mod to Goth. And then there were the stylistic cues, cribbed by punk's more historically literate stylists:

Malcolm McLaren and Tony Wilson were hugely influenced by the Situationist movement in particular, and deliberately and explicitly trawled it for images and lyrics that were to become iconic punk expressions (the Sex Pistols record covers, lyrics such as 'Cheap holidays in other people's misery'...); the first festival of punk music took place at Mont de Marsan in 1976; the first Rough Trade release was from the Parisian band 'Metal Urbain'; the punk 'look' first embodied by Richard Hell was drawn straight from fin de siecle French poets, and the graffiti strewn clothing of The Clash comes straight from the 50s group les Lettrists.

¶ culture france history punk rock'n'roll situationism 2 Share

For one week only, Pitchfork TV is streaming Wesley Willis's Joy Rides, a documentary about the late outsider musician.

(via MeFi) ¶ outsider art punk video wesley willis 0 Share

Perhaps the inevitable result of the aging of the punk rock generation: a middle-aged Cardiff punk band named Punks Not Dad has written a song about pottering about in the shed. It arguably captures the spirit of punk—the short sharp shock, the brusquely defiant assertion of one's right to be antisocial—in a more authentic fashion than many of the meticulously stylised, overengineered Sex Pistols/Buzzcocks/Clash copyists young enough to be these blokes' sons fighting for the cover of the NME these days:

Theres a place where I wanna be -
get away from the family
Where a bloke can be a bloke
put me feet up have a smoke
If you want me - you know where to find me If you need me - you’ll know where to look…
In me shed - varnishing a picture frame
In me shed - mending a toaster
In me shed - doing the sudoku
In me shed in me shed

(via Boing Boing) ¶ aging culture punk sheds 0 Share

Your Scene Sucks, a set of sketches of contemporary (US) youth subcultures:

this guy is single-handedly responsible for the commercialization of your favorite bands, childhood television shows, and quirky indie movies. his other favorite shirts include such witty sayings as... "i saw your mom on myspace," "the voices in my head are telling you to shut up," and "can't sleep... the clowns will eat me!"

like most in his scene, he doesn’t know the first thing about politics aside from what his father brings to the dinner table. he has a strong stance against fascism, racism and sexism even though he has no idea what any of those terms truly mean. this punk firmly believes in anarchy, but this does not stop him from posting all day on the rupert-murdoch-owned myspace.com.

two years ago, he had blonde hair and an abercrombie-wardrobe, but that all changed the second he first heard my chemical romance playing on a random myspace page. from that moment on, his entire existence could be summed up with just three words: "i'm not okay."

(via mrsmalkav, M+N) ¶ culture emo goth hipsters metal punk scene subculture 0 Share

The latest trend for American punk rockers, indie-rock hipsters, Mod scooterists, hardcore straightedgers and such seems to be joining Masonic lodges. Freemasonry, which was once at the centre of Enlightenment radicalism, and later exerted untold influence over the business, political and legal worlds (not to mention wacky hijinks in 1920s America), had recently ossified into a stodgy, conservative institution, seemingly comprised of a dwindling number of old men. Now the lodges' ranks are being swollen with members of youth-oriented subcultures looking for camaraderie and networking opportunities.

“It’s kind of like a history class that no one else can take,” said Dave Norton, drummer for Victory at Sea and The Men. He believes his membership in the fraternal organization will be especially rewarding when he tours Europe later this year.

(via Boing Boing) ¶ culture freemasonry hipsters punk subculture trends 3 Share

The Guardian fires off a robust rhodomontade at the phenomenon of knitting as a staple of alternative culture.

We've gone from screaming for anarchy, rocking against racism, storming the US Embassy and picketing recruiting offices, tuning in and dropping out and rutting like pigs on Viagra to taking up the favourite hobby of senile old grannies everywhere and declaring it radical. Which was hilarious for about five seconds about five years ago.

Nonetheless, the truth must be stated. Germaine Greer didn't articulate her disgust with women's oppression by knitting a lavender and yellow toilet-roll holder. Dr Martin Luther King Jr didn't say: "I have a dream ... set of place mats that I crocheted using a pattern I got from a magazine." Jimi Hendrix didn't take to the stage at Woodstock wearing a nice orange and puce cardigan (with a reindeer on it) that he made using a job-lot of wool he got at a jumble sale. And Sid Vicious didn't crotchet his own stupid mock-Tibetan hippy-dippy ear-flapped bobble hats. And neither should you. If you need a hobby, take up spitting.

¶ contrarianism diy knitting punk rants subculture 4 Share

Today in heritage rock news: the Sex Pistols are reuniting, yet again, to play a show marking the thirtieth anniversary of their album Never Mind The Bollocks. The show, their first since 2003, will be at the NME Carling Academy in Brixton and tickets will cost £37.50 plus fees. Meanwhile, joining in the punk spirit, EMI are rereleasing four of their singles on vinyl, and underground music magazine NME is running a campaign to get God Save The Queen to number one in the UK.

The Sex Pistols were, of course, known for being the band that Sid Vicious, a violent hooligan, nihilist and drug addict, was in. Recently, comparisons have been drawn between Vicious and a contemporary artist of similar repute, Pete Doherty. Whilst these comparisons may arise, in my opinion, Doherty is no Vicious, and Vicious was the more artistically significant figure. For one, Vicious was not an artist by any definition; he didn't write songs, sing (by any definition of the word) or play any instruments. As such, his appointment as a member of Britain's most mediagenic punk rock group was (on the part of either John Lydon or Malcolm McLaren, depending on whom you believe) itself a work of conceptual art, on a par with Marcel Duchamp framing a porcelain urinal as art and placing it in a gallery. A urinal is not art, but presenting it as art is art — once. The second time someone does it, it is not art but mere copying. (Though the act of copying can be art if it itself is the point; for example Iain Forsyth and Jane Pollard's recreation of a Cramps gig in a mental hospital, or Banksy's "Tesco Value" riff on Warhol's Campbell's soup cans; that is, if the act makes a new statement on the original, rather than simply reiterating it.) Pete Doherty, however, is worse than not an artist: he's a passably mediocre artist, a middling songwriter and scribbler, who has somehow come to present himself as the Baudelaire of Indie, the great romantic nihilist poet of our age. Sid Vicious, however, had no such pretentions (and, indeed, probably couldn't spell "pretentions"); he was just a violent cretin and made no bones about being anything more. Sid Vicious' career in the Sex Pistols was Dadaist art; Pete Doherty's career is youth-oriented advertising agency copy.

¶ heritage rock irony punk sex pistols 5 Share

The Londonist reveals a list of places equivalent to Notting Hill around the world. (That's Notting Hill as in the part of West London, not as in the Working Title romcom.) These places include The Marais in Paris, Paddington in Sydney (though wouldn't Glebe be more Notting Hill?) and Christianshavn in Copenhagen; Manchester and Glasgow get two Notting Hill equivalents each: The Cliff and West Didsbury and Strathbungo and Garnethill respectively.

This research was carried out by the simple expedient of doing a Google search for "answer to notting hill". This technique can, of course, be extended to finding equivalents for other iconic districts: for example, Camden Town apparently has equivalents in Tokyo's Harajuku, San Francisco's Haight Ashbury (so that's full of brightly-coloured teenagers and mohician punks with "PUNK" in big letters on their clothing?), Stockholm's Hornstull and Buenos Aires' San Telmo. Running it for Melbourne locales was less fruitful; there are apparently no Brunswick Street equivalents anywhere, though there is one Chapel Street equivalent (Geelong's Packington Street).

Incidentally, there is no Melbourne equivalent of Notting Hill listed. Melbourne does have a locale named Notting Hill, but it is a rather desolate stretch of urban sprawl north of Monash University, where there are enough industrial estates to keep the student-infested 1970s bungalows spread out. Perhaps Carlton or Williamstown would be a more accurate equivalent?

(via londonist) ¶ camden town london notting hill psychogeography punk 2 Share

Seen outside Camden Town tube station this evening:

¶ camden fuck irony photos punk rebellion 5 Share

It looks like hopes for a reprieve for legendary New York rock venue CBGB were short-lived; the venue will now close on Halloween of 2006. The owners are planning to open a new venue in the Lower East Side some time afterward, and/or to devote their energies to the lucrative "CBGB's & OMFUG" merchandise business.

(via xrrf) ¶ cbgb history marketing new york punk rock 0 Share

Guerilla Drive-Ins are a cross between a drive-in cinema revival, illegal raves and Make-style improvisational techno-larrikinism. Some people in Santa Cruz are reviving the mid-20^th-century American custom of drive-in movies, only this time reclaiming public space using a car fitted with a video projector, a FM transmitter and a movie; those in the know are notified in advance by email.

Films scheduled include cult classics (Dawn Of The Dead, Harold and Maude, Delicatessen) and worthy documentaries and dramas (The Take, The Yes Men, City Of God). It's an interesting idea, though, IMHO, it would have been more ideologically sound if they used bicycles instead of cars.

(via gizmodo) ¶ diy détournement film larrikinism public space punk 0 Share

This weekend, I travelled to Aberystwyth, paying a visit to Jim and Catrin (whom I last saw in 2002). It was good to catch up with them again.

On Saturday night, I went to see the Castaway Theatre Company's performance of Alfred Jarry's Ubu Enchained. It was fittingly anarchic; they had five people each playing Pa Ubu and Ma Ubu, mostly attired in vaguely punky combinations of random clothes, and a lot going on on stage, most of it rather absurd. It reminded me a lot of the Doug Anthony Allstars, in particular DAAS Kapital. The music played in/between various sequences included a lot of guitar punk and several Half Man Half Biscuit songs, which worked rather well. Anyway, there are some photos here.

The journey to/from Aberystwyth involved a stopover in Birmingham, and a bus between there and Telford, due to railway works. On the way back, I spent some time wandering around Birmingham, raiding the local Music & Video Exchange and taking a stroll around the pedestrianised neo-brutalist cityscapes of the Bullring. For some reason, Birmingham reminded me a little of Brisbane.

The London-Birmingham leg of the journey was on a Virgin Trains Pendolino train, which was fairly nifty. For one, they come with laptop power points, even in cattle-class. (Now that's one thing I can't see ever being installed on the Melbourne-Sydney XPT, partly because rurals and bikies generally don't carry laptops.) Also, the way they tilt when they round a corner is pretty nifty.

(Note to self: make more excuses to get out of London; by which I mean far enough out to get out of London's reality distortion field. Living in London, it's too easy to start thinking of everything in terms of Tube lines, N|W|E|[NS][EW]|[EW]C postcodes and relative position to the Thames, and to forget that there is life and activity in Britain that's not in relation to London.)

¶ aberystwyth alfred jarry personal punk theatre travel ubu enchained 2 Share

Dispatches from the obesity epidemic: American punk/goth/alternateen mallrat clothing chain Hot Topic has launched a special chain for super-sized teens. Named Torrid, the chain sells alternative clothing in extra-large sizes, allowing the growing proportion of obese teens to look and feel cool. (via bOING bOING)

¶ goth hot topic obesity punk usa 0 Share

Via bOING bOING, a comprehensive archive of flyers from 1980s NYC new-wave club Danceteria; Attention new-new-wavers: if you need artwork ideas for your discopunk/electrocoolsie night/band/party, there's plenty of material here for stealing inspiration.

¶ danceteria disco flyers mutant disco new york new-wave punk 0 Share

Former NME editor Paul Morley comments on the spectacle of Glen Matlock complaining about the amount of swearing on TV, and asks whether the former Sex Pistol, now a middle-aged family man, has turned against what he stood for, whether he really stood for it in the first place, or whether he has a point:

Clearly, Matlock has decided that as a musician, as an entertainer, he is going to grow old gracefully, even if this means spending most of his time as an unknown. He will not be an expletive-packing Pistol cursing freely into his 50s and 60s, committed to the cause of perpetuating a wild image even as the wrinkles deepen, the flesh softens and the desire crumples. Gene Simmons of Kiss, Alice Cooper, indeed Lemmy are not the right role models for Matlock as he approaches 50, which even if it is the new 40 is not really close enough to the magic years of the 20s where in the old-fashioned sense you can, in a dignified way, wreck yourself, and possibly elements of surrounding civilisation.

Then again, those of us who are watching rich celeb chef Jamie Oliver swear his way through his school dinners show actually might agree with Matlock that there really is too much swearing on television. Middle-of-the-road TV programming freely tosses in the obscenities to suggest there is grit and realism where really there is just frantic emptiness. Matlock might actually be anxious that the swearing is in the wrong mouths, that dull people are exploiting mock controversy as an easy route to commercial attention and that as an ex-Pistol who witnessed the Grundy incident he's responsible for that, and embarrassed by it.

¶ aging language punk sex pistols swearing 0 Share

Famous New York rock venue CBGB may soon be forced to close by rising property rents. Now where have I heard that before? (via bOING bOING)

¶ cbgb gentrification history new york punk rock 0 Share

The Graun's Alexis Petridis looks at why the (ostensibly) mentally disturbed make such compelling rock stars:

According to Oliver James, a clinical psychologist and author of They Fuck You Up: How to Survive Family Life, the rise in numbers and popularity of emo acts may be linked to a rise in mental illness among their obvious target market of 18- to 24-year-olds (the age group most likely to be affected by psychological problems, according to studies published in Europe and Australia).

But if fans buy into it, that may be because rock music, unlike other art forms, is depicted as benefiting from being created by those with mental illness. Most critics would tell you Van Gogh's paintings are great despite, rather than because of, his psychiatric problems - but that's not true of the Beach Boys' Smile or Barrett's The Madcap Laughs or Nirvana's In Utero, for example, whose greatness is widely held to be inexorably entwined with their creators' mental problems.

It's the whole dionysiac genius thing; the myth, deeply ingrained in the Rockist mindset, that primal authenticity and true brilliance comes not from carefully honed technique, deep knowledge of the genre, cleverness or anything so square and totally un-rock-and-roll, but from abandoning oneself to the frenzy like a Viking berzerker. To give a topical example, crack-smoking, junk-shooting fuckup Pete Doherty is one of the greatest geniuses of our time, and his new band Babyshambles is ten times the band that The Libertines (who kicked him out) were, as the world would find out if he'd ever get his shit together for long enough to actually play a gig.

The article also mentions Ol' Dirty Bastard, as an example of the fine line between empathy and voyeurism. One notable omission, though, is Wesley Willis, described by Jello Biafra as one of the most punk-rock artists ever.

Of course, with the rising popularity of emo and various forms of fuckedupcore came a lot of opportunists putting on the "tortured genius" act, acting like caricatures of pissed-off, fucked-up, tantrum-throwing teenage nihilists and raking in the cash. Thirtysomething Universal Music executive and part-time teenage mook Fred Durst is one name that's mentioned there; and I'm sure you can think of other notable examples (anyone remember Vanilla Ice's reinvention as a tortured, angry-white-guy rap-metal mook? Or cyberpunk boy-band Information Society's post-Reznorian take-a-walk-through-my-nightmares industriogothic makeover?)

(On a tangent: Wikipedia's lists of songs about bipolar disorder and suicide)

¶ alternative authenticity mental illness pete doherty punk rock rockism wesley willis 2 Share

Conservative Punk, a new website to fill the neglected intersection between US Republicans and punk-rock fans. In other words, it's a generic right-wing/Libertarian news/spin/liberal-bashing portal with a "punk"-style T-shirt store attached; were it not for the title, you'd have a hard time of identifying the "punk" content. (via tyrsalvia)

Say what you will about the compatibility of conservatism and punk, there are more absurd things, like, for example, Christian Hardcore Punk. Adolescent subcultures are primarily about individuation from one's parents' generation and authority, and a version of "hardcore punk" that is family oriented and whose ideals involve obedience to parental authority seems to miss the point. Whereas being a gleefully obnoxious contrarian right-winger to piss off the right-on inner-city lefty types, it could be argued, is as punk as Sid Vicious' swastika T-shirt (or at least as punk as anything the recording industry has shat out in the past five years).

¶ culture wars punk rightwingers 7 Share

The Invisible Pink Unicorn. Because atheism, like all other religious orientations, needed a logo. And there are two other logos to choose from. Two of the three logos there look a bit like the Star Trek logo, which may or may not say something about the sorts of people who would wear an official atheist logo.

Meanwhile, evangelical Christianity has punk rock merchandise. (via MeFi.) How long until someone starts making "hardcore atheist skate-punk" T-shirts?

¶ atheism christianity punk 6 Share

Rock musician questioned for possible terrorist involvement after texting a Clash lyric to the wrong person. Mike Devine, from the Clash cover band London Calling, intended to send lyrics from Tommy Gun to the singer, though sent them to a wrong number, and someone uninitiated with the punk rock band's canon found on their phone a message reading "How about this for Tommy Gun? OK - so let's agree about the price and make it one jet airliner for 10 prisoners.", became alarmed and called the police.

¶ punk terrorism the clash the long siege 0 Share

This evening, I caught a train to North Coburg, getting off at Batman station (yes, to the Americans in the audience, we do name our railway stations after superheroes here, because we Australians are weird), and walking through darkened streets, with the occasional desultory-looking art-decoish bungalow that has seen much better days, looking for an art gallery located at 8 Lyon St. After considerable walking through this wasteland, I started wondering "what sort of art gallery would set up here?". Eventually, I found it, in a former factory/mechanic's shop/similar, across the road from the only other sign of life in the neighbourhood, a bikie clubhouse (the Foolish Few Motorcycle Club, I believe), some of whose members mingled with the hip young artists and miscellaneous troublemakers.

The art varied; it was mostly "underground" art of various sorts (think "ooh, am I OFFENDING your BOURGEOIS SENSIBILITIES? Good. *Fuck* *you*, SUBURBAN YUPPIE PIG!"). A lot of stencil art (some very intricate), done on old car doors, some of that homie graf/stencil/sticker hybrid stuff that's going up all over the city (there was one piece by "Monkey" and someone else, depicting a fantastic world, with their tags all over everything; got to love the hip-hop culture's tendency towards self-mythologisation), underground comics from members of Silent Army, someone's set of nude drawings of female artists (done as a set of postcards, yours for $10), and underworld hitman-turned-artistic cause celebre Chopper Read's own paintings, showing crude figures of big-breasted women with Ned Kelly helmets (alas, I'm not sufficiently well-versed in contemporary art to tell whether Chopper's art is a work of postmodern genre-crossing genius, a curiosity of "outsider art" notable more for who made it than its own virtues, or a publicity stunt). Chopper didn't seem to be there, though there were quite a few bikies with short-cropped hair, tattoos, big bushy beards and, in one case, Nazi patches. Which, I suppose, made the whole thing a lot more edgy and hardcore and "keeping it real". Oh, and Cameron Potts was there, in his "Osama Bin Laden World Hero" T-shirt. Meanwhile, a band (consisting of members of Jihad Against America and/or The Eggs, I'm told) made noises with distorted guitars and a theremin.

Many of the artworks had prices that wouldn't leave much change from a grand. I wonder whether many well-heeled collectors will trek out in their BMWs to the industrial wasteland to pick up a stencilled car door for their open-plan loft in St Kilda or wherever.

¶ art chopper read counterculture offensive osama bin laden punk silent army street art 11 Share

The new generation of indiekids are making music, and they're not using guitars, Casiotone keyboards or battered old Roland synths from the 1980s. Meet Service Station Youth, extremely lo-fi electropop from Talkshow Boy and friends, which has punk sensibility though probably owes more to Kid606 and insane Europeans with modified GameBoys than to the Pixies or Sonic Youth or whoever. Hardcore or just crap? You decide.

¶ diy punk service station youth talkshow boy 0 Share

I just picked up the new Chicks on Speed album, 99c. It's amusing; a bit of a punk DIY aesthetic going on, with them ranting about consumerism, culture-jamming and selling out over electronic beats and sampling mobile phone ringtones and such. (I'm not sure where it falls in the ProTools<->chip music spectrum, though; bits of it have a computer-produced gloss about it, but then they're chopped up and distorted. Fake authenticity or détournement? Someone could probably do a PhD thesis on the subject.)

The booklet is a "catalogue" of Chicks on Speed merchandise, including an "urban camouflage" T-shirt printed with a lot of brand names and corporate logos. None of the items have prices, except for a coffee-table book selling for £59.95/US$85. (Somehow, I don't think I'll buy a copy.)

The CD also contains a Quicktime video for We Don't Play Guitars, which is somewhat amusing, and features Peaches as a Joan Jett-esque retro hard-rock goddess.

¶ chicks on speed electro music peaches punk 1 Share

Today's Cat and Girl ties in nicely to the chip-tune/authenticity debate previously mentioned:

"Guitars are bourgeois, OK? They're expensive and the skill they demand is elitist!"

"We should be making music with computers! They're the populist medium of today!"

Mind you, computers are bourgeois and expensive too; the iBooks that all the inner city hipster kids have certainly are. Though maybe it's more authentic if you shlep along a battered beige box that looks like it was stolen out of an office and souped up numerous times, running Windows 98 and AudioMulch (or better: Linux and some home-brewed audio software; it's not going to sound as slick as Cubase, but slickness is bourgeois). Having to lug that and a 15" glass bottle to see what's going on bespeaks punk authenticity and commitment to one's art, in a way you can never get with an Apple PowerBook.

(Of course, there's no way you could carry a PC/monitor to gigs on a bicycle. Then again, real proles drive, usually battered Mazdas or Holden panelvans. Cycling everywhere is a bourgeois affectation, like vegetarianism. Discuss.)

(Btw, Graham: any ideas on how one could combine tracker modules and live performance? Perhaps a tracker with keyboard-controlled mutes/cuepoints/sample triggers could be useful for that...)

¶ authenticity cat and girl diy hipsters punk 5 Share

In today's Onion: '90s Punk Decries Punks Of Today:

"Those so-called punk bands they listen to today? Sum 41? Good Charlotte? The Ataris? They're not punk. Back in the day, man, we used to listen to the real deal: Rancid, The Offspring, NOFX, Green Day. Those guys were what true punk rock was all about. Today's stuff is just a pale, watered-down imitation. There's no comparison."

"I saw some kid wearing a Sex Pistols T-shirt the other day--he couldn't have been more than 9 when the Pistols did their Filthy Lucre reunion tour," Tolbert said. "I was like, 'You can listen to the music, you can wear the T-shirt, but I was there.' I had fifth-row seats at that goddamn stadium, man, right up front, close enough to see Johnny Rotten's wrinkles. Did you see an original member of The Clash play during Big Audio Dynamite II's last tour? Did you see two of the four original Ramones play at the KROQ Weenie Roast in '95? You did not, but I did. I swear to God, they're like a joke, these people."

And then, the front page has the following useful wardating tip:

SPRINGFIELD, MO--Wanting to add something special for new love Danielle Welter, Andy Mansfield, 24, burned three personalized tracks Monday onto his standard new-girlfriend mix CD. "Danielle loves that No Doubt song 'Running,' so I threw that on there just for her," Mansfield said. "And she doesn't really like rap, which [previous girlfriend] Erica [Hollings] loved, so I took off [Salt-N-Pepa's] 'Whatta Man' and replaced it with two Aretha Franklin songs, because Danielle loves the oldies." Mansfield said he expects Welter to love the mix "even more than Erica did, maybe even as much as Christine."

¶ authenticity dating history humour mix cds pop culture punk satire the onion 3 Share

A Grauniad piece on punk rocker Avril Lavigne, who seems to be some sort of Alanis for the wallet-chain set or something.

The four punk rockers have been trying to school Lavigne on what she should listen to. "For her birthday, I got her [AC/DC's] Back in Black, the Clash singles and the new Me First and the Gimme Gimmes - your straightforward rock & roll, your punk and your pop punk," says bassist Charlie Moniz, the resident indie-rock connoisseur. Brann gave her a copy of Nirvana's Nevermind. And Colburn gave her the Smashing Pumpkins's Siamese Dream and some Pixies albums."I started her off with the more palatable ones, like Monkey Gone to Heaven," he says. "Then I give her Debaser, and she's like, 'I don't know about that.'"

Reid contends that "there are no guys in suits that can manufacture artists like Avril Lavigne. I wish there were. God knows the record business needs them right now."

She may not be manufactured (according to the article she was singing for a while before LA Reid (of LA and Babyface, who were the Stock/Aitken/Waterman of 80s R&B) snapped her up and made her into a star), but it's apparent that any association between her and any sort of "punk" tropes is entirely artificial; even more so than for the usual mook bands whose members weren't born when Sid killed Nancy. Mind you, if she didn't have this gimmick, she'd probably not get anywhere other than small clubs and open-mike nights, and some other malleable giglet would be storming the Top 40 in her place.

(It seems these days that everybody has forgotten Jello Biafra's maxim that "punk means thinking for yourself", and it has become just another form of rebellion-through-aspirational-consumerism. Or maybe not even so much rebellion, at least not of any form that leads to questioning, soul-searching and finding one's own identity, but merely a mindless outlet for excess testosterone, like video games or backyard wrestling.)
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